Technicolor cine camera

maker:
Technicolor Motion Picture Corporation
Technicolor cine camera (Technicolor camera)

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Technicolor camera by Technicolor Ltd, serial number DE12.

Technicolor, introduced in 1915, is regarded as the finest colour motion picture process. It evolved through four versions, culminating in this three-colour camera, which used a beam splitter behind the lens with red, green and blue filters to record the primary colours on three separate monochrome films. The camera has two film gates. Directly behind, the lens recorded the green separation through a green filter. At right-angles to the lens was laced with two films placed back to back (known as bi-packing) and received light through a magenta (i.e. a combination of red and blue) filter. The film which recorded the red separation was panchromatic, like that used to recorded the green separation, but the other was orthochromatic (i.e. it was sensitive only to blue and green) so it only recorded the blue part of the magenta light. Its base was dyed orange to filter out the blue so that only red light was received by the panchromatic film behind it.

Subsequently, a dye matrix positive was made from each processed negative on bichromated gelatin film. These reproduced all the tones as different levels of hardened gelatin - the highlights were clear of gelatin. These matrices were then dyed with the subtractive primaries, yellow (for blue negative), magenta (for green negative) and cyan (for red negative) and used to print the colour print.

Details

Category:
Cinematography
Object Number:
1968-707
type:
technicolor camera
credit:
The National Media Museum, Bradford

Parts

Main body of Technicolor camera by Technicolor Ltd

Main body of Technicolor camera by Technicolor Ltd

Main body of Technicolor three strip camera, made in America by the Technicolor Corporation about 1932. Magazine cover missing, Serial No DE12.


Technicolor, introduced in 1915, is regarded as the finest colour motion picture process. It evolved through four versions, culminating in this three-colour camera, which used a beam splitter behind the lens with red, green and blue filters to record the primary colours on three separate monochrome films. The camera has two film gates. Directly behind, the lens recorded the green separation through a green filter. At right-angles to the lens was laced with two films placed back to back (known as bi-packing) and received light through a magenta (i.e. a combination of red and blue) filter. The film which recorded the red separation was panchromatic, like that used to recorded the green separation, but the other was orthochromatic (i.e. it was sensitive only to blue and green) so it only recorded the blue part of the magenta light. Its base was dyed orange to filter out the blue so that only red light was received by the panchromatic film behind it.

Subsequently, a dye matrix positive was made from each processed negative on bichromated gelatin film. These reproduced all the tones as different levels of hardened gelatin - the highlights were clear of gelatin. These matrices were then dyed with the subtractive primaries, yellow (for blue negative), magenta (for green negative) and cyan (for red negative) and used to print the colour print.

Measurements:
overall: 650 mm x 350 mm x 800 mm, 79 kg
Materials:
steel (metal) , aluminium alloy , rubber (unidentified) , glass and leather
Object Number:
1968-707/1
type:
technicolor camera