Music cover, lithograph, stone and black, Nightingale Music written, composed and arranged for Christine Millie [Chrissie Millie McKoy], the two-headed Nightingale by William Wilson... Published by Emery, 408 Oxford Street, London and Hime & Addison, Manchester. Seven songs for the Nightingales to sing; [African American black, conjoined females, wearing buttoned boots] overall: 34.4 x 25 cm
Conjoined twins Chrissie Millie McCoy (who sometimes referred to themselves as one person) were remarkable women by any standards. But can we simply celebrate them as successful women, or is there a tale of exploitation lurking beneath the surface?
Enslaved from birth, the women eventually became so successful that they were able to buy the plantation where they were born. They gained money and fame through their singing career as the small visiting card in this picture testifies.
But to what extent were they in control of their destiny? As enslaved workers, they were bought and sold numerous times (even stolen on one occasion). They had little or no choice about the way in which they performed or were displayed. Even when they became famous singers, medical men were still able to examine them as ‘medical curiosities’.
After the emancipation of slaves in the 1860s, the sisters were free women. Yet they chose to remain with the Smith family, their previous owners. Would they have done this if they felt exploited? Without more evidence, it's hard to know why the McCoys made this decision. The sisters wrote an autobiography describing their lives, but can we trust it as reliable evidence? They used the autobiography to promote their singing, so may not have wanted to say anything negative. The story of Chrissie Millie McCoy is a reminder that when we try and imagine the lives of people of the past, there are always limits to what we can know.
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- sheet music cover
- visual and verbal communication
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