Male bust coated with brown compo

Made:
1790-1819
1 Plaster bust, coated with brown compo 1 Plaster bust, coated with brown compo 1 Plaster bust, coated with brown compo 1 Plaster bust, coated with brown compo

Creative Commons LicenseThis image is released under a CC BY-NC-SA 4.0 Licence

Creative Commons LicenseThis image is released under a CC BY-NC-SA 4.0 Licence

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Creative Commons LicenseThis image is released under a CC BY-NC-SA 4.0 Licence

Buy this image as a print 

Buy

License this image for commercial use at Science and Society Picture Library

License

Creative Commons LicenseThis image is released under a CC BY-NC-SA 4.0 Licence

Buy this image as a print 

Buy

License this image for commercial use at Science and Society Picture Library

License

1 Plaster bust, coated with brown compo
Science Museum Group
© The Board of Trustees of the Science Musuem

1 Plaster bust, coated with brown compo
Science Museum Group Collection
© The Board of Trustees of the Science Museum

1 Plaster bust, coated with brown compo
Science Museum Group Collection
© The Board of Trustees of the Science Museum

1 Plaster bust, coated with brown compo
Science Museum Group Collection
© The Board of Trustees of the Science Museum

1 Plaster bust, coated with brown compo., man, small hole in cheek and neck, prepared for copying by addition of base and brass centre in head, 5 3/4" high

This item is part of the sculpture collection built by Scottish engineer James Watt, and which was kept for a long time in his garret workshop at his home, Heathfield, in Handsworth, Birmingham. The two most prominent objects in the workshop are a pair of sculpture copying machines dating to 1804-1809, one for producing reduced-sized and the other for equal-size copies. Building and using them was the main project that Watt undertook in the workshop. However, they built on his interest in sculpture which stretched back into the 1790s. Watt purchased items and then multiplied them in the workshop, making copies with his machines in different materials. The project was a fitting end to Watt’s career, continuing his interest in precision manufacture and multiplying images of himself, his associates and many other subjects in a way which is a microcosm of the larger changes in industry which were sweeping large parts of the UK.

Details

Category:
James Watt's Garret Workshop
Object Number:
1926-1075/338
Materials:
plaster, compo and brass (copper, zinc alloy)
Measurements:
overall: 150 mm x 90 mm x 80 mm,
type:
portrait bust and cast
credit:
Major J.M. Gibson-Watt