A reference photograph of an Alsatian dog that starred in 'The Hound of the Baskervilles' (1959), taken by an unknown photographer in 1958.

Roy Ashton (1909–95) and Phil Leakey (1908–92) were master make-up artists who worked on many of the British cult horror films of the mid-20th century. A trained artist, Australia-born Ashton began his career at Gaumont-British Film Corporation in 1932 as a means of supplementing his passion for opera singing. In 1955, Ashton became the assistant to Hammer Films’ Phil Leakey, the first makeup artist to receive on-screen credit for ‘Special Make-up Effects’.

Details

Category:
Cinematography
Collection:
Roy Ashton & Phil Leakey Collection
Object Number:
2000-5000/27
type:
photograph and gelatin silver print
credit:
National Media Museum, Bradford