Sketch of Operation with patient and two technicians by Paul Drury. Ink sketch on blue paper. Scene showing the rear view of a patient on an operating table, his right leg crossed over his left, the subject of the procedure. Two technicians are at the end of the bed, one has only his torso visible but is aproned and looking down at his work. A second technician is shown seated full length on a stool, with a focused expression on his face, leftward facing.

Paul Drury is best known as an accomplished etcher of portraits and landscapes. Part of the etching revival in the 1920s, Drury became head of the Etching Department at Goldsmiths from 1946 and President of the Royal Society of Painter-Etchers and Engravers from 1970. Relatively unknown, however, is his work during the Second World War at Queen Mary’s Hospital (QMH) Roehampton, which was founded in 1915 to cater to the huge numbers of amputee soldiers injured in the First World War.

Drury was posted to QMH as an assistant in the plaster workshop of the artificial limb unit in 1939, where he worked until the end of the war. Whilst there, he obtained permission from the War Artists Advisory Committee to make records of his experiences, producing a mix of finished and preparatory drawings, etchings, paintings and pastels that are represented in this collection of works. Through these, Drury captured the everyday activities of technicians, doctors and nursing staff alongside the wounded themselves, showing us a little of their personalities and emotions in portraits and group scenes. The works also introduce the wider experiences of convalescence at QMH during the war, including sheltering patients during air-raids, treatments for wounded limbs and the card games played to pass the time.