Lectures in Fine Art at the University of Brighton. Her practice is based in photography and fine art informed by post-structuralism and feminism.

Naomi has written on, made work on and curated exhibitions about pornography and censorship, art pedagogy, image technologies and the history of vision. Projects include 'What She Wants' (1994); 'Postcards on Photography' (1999); 'Nothing is Hidden' (2000), 'Changed Press marks of the Private Case' (2001); 'Looking Back at the Life Room' (2010).