Terence Tenison Cuneo
Painting. [Waterloo Station] / by Terence Cuneo, May 1967. Signed and dated bl. Painted on site in the Science Museum, with the assistance of Anthony Kerr. Perspective view of the concourse of Waterloo Station, London, as seen from the first floor British Rail Southern Region Board Room windows. Includes both steam and electric trains, porters, cars, passengers, indicator board and clock; relatives, artist and politicians of the day amongst the travelling public. General activity any day in the early 1960s
Coalbrookdale by Night by Philippe Jacques de Loutherbourg
Philippe-Jacques de Loutherbourg
Coalbrookdale by Night by Philippe Jacques de Loutherbourg, 1801. Oil on canvas in gilt frame. Signed and dated bottom right. Exhibited as 'A View of Colebrook Dale by night' at the Royal Academy London in 1801. It shows the Bedlam furnaces at Coalbrookdale in Shropshire, with flames and smoke billowing from the centre of the picture. The picturesque gorge landscape to either side is lit by moonlight, and figures hurry in the foreground to transport raw materials and iron pigs.
'Over London-by Rail', engraving, London, England, 1872
Wood engraving from 'London: a pilgrimage', by Gustave Dore, 1872. Signed in the block blc: Over London - by Rail. Depicting [East End] tenements, washing in back gardens, chimney pots, railway in distance.
Anatomical drawing of a human skeleton
Anatomical Drawing of a human skeleton signed: John Linnell. For a Students Ticket. February 25th 1840'. 39 numbered bones with inked key - additional pencil key and mss notes. Pen and brown/black ink hightened with white, on cream/buff paper. 700x430mm.
The Munition Girls
Stanhope Alexander Forbes
Painting, [The Munition Girls] / by Stanhope Alexander Forbes, 1918. Oil on canvas; 40x 50" or 103x127cm, in decorative gilt frame 132x152x8.5cm. Signed and dated bottom left. Female operatives making 4.5-inch shells at the Kilnhurst Steel Works of John Baker and Co. Ltd., Rotherham; steel billets are re-heated in a separate furnace and, still glowing, moved by hand to a steam hydraulic press for forging. Mr. George Baker commissioned this scene "to produce a memento for our women workers", and each of them received a framed copy of it.
A steam hammer at work
James Hall Nasmyth
Painting. [A steam hammer at work] / by James Nasmyth (1808-1890), 1871. Oil on board; 40 x 50 cm, in gilt frame 52x62x6cm. Initialled and dated bl, J.N. 1871. This is an apotheosis of the artist-engineer's invention of 1839 as a triumph of civil engineering. Inside a foundry works, the large steam hammer is shaping a massive iron bar before it can be rolled onto a plate. Possibly the sketch exhibited at a Conversazione of the Institution of Civil Engineers on 1871 June 6, item 46, and painted at their request. Steel-making
Poster of Valentina Tereshkova, First woman cosmonaut
Poster, translated as the Light of (or Long live) the (World's) first woman (female) Cosmonaut; issued by the Soviet State Publishing House of Decorative/Fine Arts Moscow, 1963. Slogan title in Czech 'At Zije prvni kosmonautka sveta'; imprint in Russian. Featuring design of Vostok-6 and (photograph) HS portrait of Valentina Tereshkova in space helmet. [orbited Earth June 1963]. Lithograph, col. offset, 57 x 85 cm. In frame 67x95x2cm
'Bloom' kinetic sculpture by Studio Roso
'Bloom' kinetic sculpture by Studio Roso, commissioned for the 'Medicine and Us' gallery in Medicine: The Wellcome Galleries at the Science Museum, 2019. Hanging from the ceiling, a powder-coated black, branched, mild-steel structure spreads across the gallery and over the balcony into the neighbouring space. Each branch supports a polypropylene propeller, motor and LED unit. These glow, change colour and turn in 18 different sequences over a 20-minute loop.
Alan Measles - God in the time of Covid-19 by Grayson Perry
Ceramic jar 'Alan Measles - God in the time of Covid-19' by Grayson Perry, 2020. In the style of a medicine 'albarello' jar featuring a narrative of fantasy lockdown experiences in black outline with polychrome glaze. Imagery includes Alan Measles (Perry’s famous teddy bear), Perry’s alter ego Claire and Professor Chris Whitty, the UK’s then Chief Medical Officer. Perry's potter's mark in black at the base.
Scientific Researches! - New Discoveries in Pneumaticks! - or, an Experimental Lecture on the Powers of Air
"Scientific Researches! - New Discoveries in Pneumaticks! - or, an Experimental Lecture on the Powers of Air". Coloured etching by James Gillray, published 23 May 1802 by Hannah Humphrey St James's Street, London.
Nimbus, or rain cloud
[Cloud modifications] / E Kenyon [Kennion] with Luke Howard. - n.d. [March 1849]. - one of 4 drawings: pen, watercolour, with white; 28x19cm or smaller; [Plate 5] Nimbus, or rain cloud. - Original studies of clouds "from nature" by Luke Howard, with landscapes by "Mr Kenyon". These were lithographed by EM Williams and printed by M&N Hanhart as illustrations for the 3rd edition of Howard's Essay on the Modifications of Clouds, 1865. The explanations of plates prefacing this edition are by "LH, March 1849" who gave "a number of sketches" to Kenyon. Clouds and landscapes of drawings 1 and 3 are closely related to engravings in Rees' Cyclopedia, dated (Science Museum copy) 1810 and 1820, after work by "E. Kennion" or E. Kennyon" ie, Edward Kennion (1744-1809). It is not known whether these watercolours were executed by 1809, by Edward Kennion using cloud sketches made by Luke Howard (1772-1864) during his most active time of cloud sketching and observation; or, whether Howard refers to Kennion's son Charles John (1789-1853), also an accomplished landscape artist, who may have worked with these sketches in 1849 or 180-. The watercolours are not dated, and more than one finished study may have been made by Howard from his sketchbooks, at any time 180- to 1849. nos. 1 and 4 together in frame 51x37.5x2.5cm.
Entrance into Manchester across Water Street
Thomas Talbot Bury
Print. Aquatint, coloured. 'Entrance into Manchester across Water Street'. T T Bury. delt; H. Pyall. sculpt. - 'Plate 6' of Views on the Liverpool and Manchester Railway. - London, Published Feby 1831 by R Ackermann, 96 Strand. image 19.8x25cm on sheet 23.5x27.5cm. In frame 41x44x2cm
Painting. [Mrs. Sage] / artist unknown, 1785. Oil on canvas, 77x 63cm or 92 x 78.5 x 11 cm in gilt frame. Portrait, HL, of Mrs. Letitia Ann Sage, 'The first English female aerial traveller' in Lunardi's balloon ascent of 29 June 1785; with balloon motif. Head, bust, white fur mantle, hat and half-veil. aeronaut/balloonist
'Self-Conscious Gene' sculpture by Marc Quinn
Bronze sculpture 'Self Conscious Gene' by Marc Quinn, 2019. Commissioned by the Science Museum for the 'Medicine and Bodies' gallery in Medicine: The Wellcome Galleries. This monumental sculpture portrays the artist, actor and model Rick Genest, known as ‘Zombie Boy’. He stands 6 metres tall, holding an anatomy book. His upper body is covered in anatomical tattoos, his legs encased in ripped jeans, and his feet in laced boots.
A cast iron sculpture, 'Iron Baby', Edition AP III/III, by Antony Gormley, England, 1999 (see note).
Meeting d'Aviation Nice 10-25 Avril 1910
Poster. Meeting d'Aviation Nice 10-25 Avril 1910 / Charles-Léonce Brossé; Affiches Photographiques Robaudy, Cannes. Photolithograph, col.; 108x78cm. Advertisement for an early aviation meeting; an airman flies above the coastline of Nice, France, scattering flowers from his aeroplane.
Operative Society of Bricklayers
Engraving, some colour: [Membership Certificate] Operative Society of Bricklayers. Designed by A.J. Waudby. [c1866-1870?]. The figures Engraved by C.H. Jeens. Engraved by J.H. Le Keux. Printed by Bradbury, Wilkinson & Co. Farringdon Road, London EC. Issued Leighton Buzzard branch, March 1887. Platemark 58x45.7cm, sheet 69.5x51cm. Trade Union emblem with figures, inset scenes of gauge work, brick laying, brick making, assorted tools and props. In frame 74.5x56.5x2cm
Lithograph: 'Tring Cutting. June 17th 1837'
Bourne, John Cooke
print. Lithograph (buff and black) 'Tring Cutting. June 17th 1837' / by John Cooke Bourne del et lithog, 1839, Plate XIX [of Bourne's London and Birmingham Railway, 1839]. London: Published 1839, by the proprietor JC Bourne, 19, Lamb's Conduit Street and Ackermann & Co, Strand. Printed by C. Hullmandel. Image 23.5x35.2cm on sheet 38x55cm. Shows scale of industry using animal and human power. Many 'horse runs' used for drawing up wheelbarrows containing spoil from excavation
'Royal Address of Cadwallader ap-Tudor ap-Edwards ap-Vaughan, Water-King of Southwark', print, London, England, 1832
Coloured etching by G[eorge] Cruikshank: Source of the Southwark Water Works, or [headed] Salus Populi Suprema Lex. Published by S. Knight, . 51x32.5cm. Printed on broadsheet with text poem beneath: Royal Address of Cadwallader... water-king of Southwark [John Edwards]. Concern at pollution and threat to public health. In frame 69x44x2cm
'Dr Syntax and his wife making an experiment in pneumatics', print, London, England, 1820
Aquatint, col. 'Dr Syntax and his Wife Making an experiment in Pneumatics'. Plate  from 'Dr. Syntax in Paris' [W Combe, 1820]. platemark 15x23cm, image 11x19cm. Caricature, scene dancing in drawing room, Nooth? chemical apparatus on lower left. In frame 29.5x35.5x1.5cm
Distinguished Men of Science
Walker: - Distinguished Men of Science of Great Britain 1807-8. [Proof, with fascimile signatures on paper not as separate strip] in maple frame. Designed by Gilbert and drawn by F. Skill and W. Walker. Engraved by W. Walker and G. Zobel. London, 1862.
The Great Exhibition Polka 1851
Lithograph, colour: The Great Exhibition Polka 1851, for the pianoforte, composed and dedicated to HRH Prince Albert by Frank B Tussaud. Printed by Stannard & Dixon, issued by Duff & Hodgson, London . Sheet music cover with picture of Crystal Palace exterior and visitors. 34.5x24cm.
'Vaporisateur du Docteur Montazeau', print, Paris, France, 1822-1840
Print. Lithograph, 'Vaporisateur du Docteur Montazeau', by Langlumé (fl.1810-1824). issued [Paris? c1810-24?]. Image 15.1x19.6cm on sheet 22x27cm. Interior scene with young woman seated beside table using a machine powered by foot treadle to bellows and cylinder with its long spout attached to a nose mask to assist her breathing. Inscription below image reads 'Demoiselle agee de 16 ans, atteinte de phthisie pulmonaise, soumise au nouveau traitement du Vaporisateur du Docteur Montazeau'. In frame 29x31x1.5cm
Bust of Robert Stephenson, English mechanical and civil engineer, 1859.
"Parian Ware" bust, 15" high, of Robert Stephenson
Caricature of an undertaker hoping for cholera, Europe, c. 1854
Print. lithograph, some col, caricaturing precautions in a cholera epidemic [c1840-1865]. 3. 'Hoping for the spread of the cholera' (a gleeful undertaker, in hat, news reports of deaths), image 10x7cm edged to 12x9cm. Framed together with /1, /2, 52x21x2cm
Cumulostratus forming; fine weather Cirri above
[Cloud modifications] / E Kenyon [Kennion] with Luke Howard. - n.d. [March 1849]. - one of 4 drawings: pen, watercolour, with white; 28x19cm or smaller; [Plate 1] Cumulostratus forming; fine weather cirri above. - Original studies of clouds "from nature" by Luke Howard, with landscapes by "Mr Kenyon". These were lithographed by EM Williams and printed by M&N Hanhart as illustrations for the 3rd edition of Howard's Essay on the Modifications of Clouds, 1865. The explanations of plates prefacing this edition are by "LH, March 1849" who gave "a number of sketches" to Kenyon. Clouds and landscapes of drawings 1 and 3 are closely related to engravings in Rees' Cyclopedia, dated (Science Museum copy) 1810 and 1820, after work by "E. Kennion" or E. Kennyon" ie, Edward Kennion (1744-1809). It is not known whether these watercolours were executed by 1809, by Edward Kennion using cloud sketches made by Luke Howard (1772-1864) during his most active time of cloud sketching and observation; or, whether Howard refers to Kennion's son Charles John (1789-1853), also an accomplished landscape artist, who may have worked with these sketches in 1849 or 180-. The watercolours are not dated, and more than one finished study may have been made by Howard from his sketchbooks, at any time 180- to 1849. nos. 1 and 4 together in frame 51x37.5x2.5cm.
Chromolithograph: Amalgamated Society of Engineers Machinists ... by Blades
Chromolithograph: Amalgamated Society of Engineers Machinists ... by Blades, [188-?] certificate dated 1904
Engraving of Theory of pulleys (Theorie elementaire des Poulies)
Engraving, coloured. [Theory of pulleys] = Theorie elementaire des Poulies.. Noeuds employes dans la Marine et dans l'Industrie. Grave sur acier par Langevin; Impe par Fosset... Maison Basset..., Paris. [1850-1860?]. Book plate [two page spread] illustrating 50 assorted knots, 37 pulleys and 20 other assemblages, with key diagrams. Sheet 55x71.5cm. In frame 72.5x86x3cm
Stone sculpture of R J Mitchell
Stone sculpture of R J Mitchell, made of welsh slate by Stephen Kettle, London, England, 2005
'The British Nave' at the Great Exhibition of 1851
Print. Chromolithograph, 'The British Nave', Plate 3 (Proof) of a set of four large prints commemorating the Opening of the Great Exhibition of 1851, [after paintings by Joseph Nash]. Printed and published by Dickinson Brothers, New Bond Street. . Image 54.5x75cm on card 71x88cm. Signed Joseph Nash in ink on lower left edge of image. View of the Western or British Nave looking East, with long panorama of structure and layout of main avenue. In centre above horse's head is dioptric revolving lighthouse reflector mechanism by Chance Brothers & Co; then Seeley fountain; large Ross telescope; Coalbrookdale Dome. Large case on foreground left with model of Liverpool docks, beside cotton and beneath Philosophical and electric displays. Banners hang from balconies with arms of cities of Britain: York is nearest on right. Queen Victoria with Prince Albert and family are being escorted through on tour; guests and visitors stand watching and waiting. In frame, 84x100x2cm
Portrait of Ada, Countess of Lovelace
Alfred Edward Chalon
Watercolour, Ada Lovelace, possibly by A E Chalon (1780-1860), [c1840]. 25 x 18.3 cm. Portrait, TQL to L. looking front, in evening dress with mantilla, holding fan
'For Science'  by Jenny Holzer
Half of 'For Science' sculpture by Jenny Holzer, 2020. A silver cloud granite bench with the text 'What kind of life exists without language?' in capital letters sand-blasted down the centre of the bench seat. This is a conceptual artwork by Holzer, working in New York, fabricated by Carnevale and Lohr in Bell Gardens, California.
Caricature showing a publican's dilemma during a cholera epidemic, Europe, c. 1854
Print. lithograph, some col, caricaturing precautions in a cholera epidemic [c1840-1865]. 1. 'Fearing the spread of the cholera' (gin drinkers beware, publican's dilemma), image 10x7cm edged to 12x9cm. Framed with /2 and /3, 52x21x2cm
Portrait mezzotint print from engraving of Phelps Thomas and Bartlett John, 1778
Portrait mezzotint print of Phelps Thomas, made by Watson James, Printed & Published March 14th 1778 by Bretherton James No.134 New Bond Street, London, ; 45x31cm., image platemark 35.3x27.8cm., text platemark 7x27.7cm, frame 57.5x42.5x2cm. Image plate cut at bottom, figures placed on globe and regulator, inscription added beneath on separate plate. Pull trimmed to platemarks. Watermark: IHS (similar to Heawood 2997). Phelps stands in observatory at Shirburn Castle, seat of Parker George 2nd Earl Macclesfield, looking through transit telescope. Bartlett, his assistant, perched on observer's chair frame, prepares to record. Foreground, celestial globe; background L, telescope with altazimuth mounting on braced tripod stand; R, astronomical regulator. Phelps Thomas(1694-) began as a stableman for Parker George, President of the Royal Society (1952-1764) and from 1742 became Observer in the Earl's Observatory. He was the first person in England to detect the great comet of 1743. Barlett John (1724-) was originally a shepherd and became the Assistant Observer in the Earl's Observatory
Stipple-engraved portrait of Benjamin Martin
Print (stipple engraving). Engraved by R. Page, London, 1815. Titled ‘BENJ. MARTIN.’. The print is a bust-length portrait of Benjamin Martin, shown against a plain background in a simple oval frame. Facing to the right, he wears a wig, coat, waistcoat and cravat. A small, framed, rectangular vignette below the portrait shows a globe and a telescope, both mounted on tripods. Lettered underneath the composition with title.
James Watt and the Steam Engine Print
Print. Engraving with mezzotint, [James Watt and the Steam Engine]. Engraved by James Scott, 1860, after painting by James Eckford Lander [ie, Lauder]. Trimmed
Bust of Albert Einstein (1879 - 1955)
Bronze bust of Albert Einstein by Jacob Epstein, 1933. Signed Epstein. Worked from a week of informal morning sittings in a retreat in a camp near Cromer, Norfolk. Einstein had left Nazi Germany and rested in this safe haven before going to the USA. The head is unfinished
The Dutton Viaduct on the Grand Junction Railway, over the Valley of the Weaver
Engraving, coloured. The Dutton Viaduct on the Grand Junction Railway, over the Valley of the Weaver... Painted by T[homas] Creswick; Engraved by W. Radclyffe. Published by Wrightson and Webb, New Street, Birmingham. [c1837-1840]. 32x40.5cm to platemark. Image 21x32.5cm, laid to platemark 31.8x40.6cm on sheet 35.5x44cm. From designs by G Stephenson Esqre and erected under the direction of J Locke esqr. [Viaduct was completed 9 December 1836; GJR opened July 1837]. Scene includes fishing boat, basket; two small trains on viaduct. In frame 43x49x2cm
Near Wellington, Shropshire
Charles Joseph Hullmandel
Lithograph: Near Wellington, Shropshire. Printed by C Hullmandel [after Francis Nicholson], 1821. Initialled in the stone blc: F.N.1821. Image 22x31cm, vignette on sheet 27.5x38cm. Scene is of colliery site: pit heads, winding gear and engine houses at night, horse drawn wagon. Transformation of the English landscape by buildings and the pollution of the atmosphere. In frame 33x42x2cm
print. engraving and etching. CAROLVS II. SOCIETATIS REGALIS AVTHOR & PATRONVS - SOCIETATIS PRAESES - ARTIVM INSTAVRATOR Evelyn inv D.D.C.; Wenceslaus Hollar f.1667. [London] [J. Martyn] 1667. [trimmed to] 20x16.5cm. Frontispiece from 4to version of first edition of: History of the Royal Society of London, for the improving of natural knowledge/Thomas Sprat. - London, T.R. for J. Martyn, 1667. The frontispiece consisting of the arms of the Royal Society appeared in editions of 1667, 1702 and 1722, but was omitted from the fourth edition of 1734. This second frontispiece appeared only in the larger impressions of the first edition of 1667. Portraits; Bust of Charles II, patron of the Royal Society, upon an inscribed pedestal and crowned by the figure of Fame. Supported to l. by Viscount Brouncker, first President of the Society; to r. by Sir Francis Bacon, instigator of concept of a society of scientists and philosophers in The New Atlantis. Above, the coat of arms of the Society. In gallery setting, opening to world beyond, amid books and various scientific Instruments. Charles II, King of Great Britain 1630-1685. Bacon, Francis. Hollar, Wenceslaus 1607-1677.
'Investment; Tabitha’s Gown'
'Investment: Tabitha’s Gown', hand embroidered thread and mirrors on linen; cotton binding and fastening, by Tabitha Moses, Liverpool, England, 2014
'Santa Medicina' sculpture by Eleanor Crook
Bronze, waxwork and glass sculpture by Eleanor Crook entitled 'Santa Medicina'. Commissioned by the Science Museum for the 'Faith, Hope and Fear' gallery in Medicine: The Wellcome Galleries. The bronze female figure holds a scalpel and scissors. Her hair is looped onto her head, crowned with a surgeon's mirror. Open down the back to reveal écorché muscles, her dress appears like an operating gown, the skirts encrusted with amulets. The skirts shelter a fragile waxwork figure in a glass case resembling a reliquary, encased in glass, under a blanket covered with symbolic pins, and surrounded by flickering candles.
Do Not Touch
Artwork, mixed media installation 'Do Not Touch',by Christian Moeller, Europe, 2004. Steel rod inserted into rubber flooring giving mild electric shock.
Interior of Pilot Plant Fermenter Room
Painting. [Interior of Pilot Plant Fermenter Room at Dista Products Ltd., Speke] / Alan Stones, 1986. - Oil on canvas; 74x58.5cm in black wood frame, 76.5x61.2x2.2cm. - Signed and dated, bc. - This work was commissioned by the Science Museum for the new Industrial Chemistry gallery as a contribution to National Industry Year 1986. It depicts the contained fermenter in the plant room, with glass window reflections, in the Dista Products Ltd factory at Speke, Merseyside. In 1981 insulin was the first drug to be manufactured by genetic engineering, this process using artificial manipulation of genes of bacteria to produce the required chemical; manufacturer of drugs; fermentation
Caricature showing 'The State Doctor' during a cholera epidemic, Europe, c. 1854
Print. lithograph, some col, caricaturing precautions in a cholera epidemic [c1840-1865]. 2. 'The State Doctor' (wearing expensive frock coat amid drugs and large pestles), image 9.5x6cm edged to 11.5x8cm. Framed together with /1, /3, 52x21x2cm
Trade card: Tho. Tutell, Charring Cross, London. Print of early Scientific Instruments (Engraved by Tuttell). 'Mathematical Instrumt. maker to ye Kings most excellt. Majesty'. more than 60 instruments depicted. Each illustration is numbered as if the picture was a catalogue. Vignette shows surveying instruments in use. (Calv. 408)
Poster advertising lectures on phrenology, Trowbridge, Wiltshire, England, 1851
Lectures on phrenology, physiology, etc. April 3-10 1851. On yellow paper, 58x23cm. In frame, 64x28.5x2cm.
'For Science'  by Jenny Holzer
Half of 'For Science' sculpture by Jenny Holzer, 2020. A silver cloud granite bench with the text 'Illness is the night-side of life' in capital letters sand-blasted down the centre of the bench seat. This is a conceptual artwork by Holzer, working in New York, fabricated by Carnevale and Lohr in Bell Gardens, California.
'Detraining in England', print, England, 1914-1918
Claude Allin Shepperson
Detraining in England, by Claude Shepperson, 1914-1918, from series 'Tending the wounded'. Crayon lithograph, 38.5x51cm, in gilt and black frame 58x68x3cm. Stretcher bearers beside the train loading the wounded into a four-berth ambulance. No. of set subtitled 'Detraining in England', numbered '19' blc, depicting stretcher bearers beside the train loading the wounded into a four-berth ambulance; image 35x46cm, sheet 38.5x51cm