Coalbrookdale by Night
Philippe-Jacques de Loutherbourg
Painting, [Coalbrookdale by Night] / by Philippe Jacques de Loutherbourg, 1801. Oil on canvas; 68x106.7cm, in gilt frame 85.5x124x7cm. Signed and dated br. Exhibited as 'A View of Colebrook Dale by night' at Royal Academy London, 1801 (cat. 54). Featuring night work at the Bedlam furnaces in Madeley Dale (i.e. Coalbrookdale) along the river Severn, Shropshire. Open coke hearths give off vivid flames and smoke. Archetypal image of the Industrial Revolution.
The Munition Girls
Stanhope Alexander Forbes
Painting, [The Munition Girls] / by Stanhope Alexander Forbes, 1918. Oil on canvas; 40x 50" or 103x127cm, in decorative gilt frame 132x152x8.5cm. Signed and dated bottom left. Female operatives making 4.5-inch shells at the Kilnhurst Steel Works of John Baker and Co. Ltd., Rotherham; steel billets are re-heated in a separate furnace and, still glowing, moved by hand to a steam hydraulic press for forging. Mr. George Baker commissioned this scene "to produce a memento for our women workers, and each of them received a framed copy of it".
'Over London-by Rail', engraving, London, England, 1872
Wood engraving from 'London: a pilgrimage', by Gustave Dore, 1872. Signed in the block blc: Over London - by Rail. Depicting [East End] tenements, washing in back gardens, chimney pots, railway in distance.
A steam hammer at work
James Hall Nasmyth
Painting. [A steam hammer at work] / by James Nasmyth (1808-1890), 1871. Oil on board; 40 x 50 cm, in gilt frame 52x62x6cm. Initialled and dated bl, J.N. 1871. This is an apotheosis of the artist-engineer's invention of 1839 as a triumph of civil engineering. Inside a foundry works, the large steam hammer is shaping a massive iron bar before it can be rolled onto a plate. Possibly the sketch exhibited at a Conversazione of the Institution of Civil Engineers on 1871 June 6, item 46, and painted at their request. Steel-making
Terence Tenison Cuneo
Painting. [Waterloo Station] / by Terence Cuneo, May 1967. Signed and dated bl. Painted on site in the Science Museum, with the assistance of Anthony Kerr. Perspective view of the concourse of Waterloo Station, London, as seen from the first floor British Rail Southern Region Board Room windows. Includes both steam and diesel locomotives, porters, cars, passengers, indicator board and clock; relatives, artist and politicians of the day amongst the travelling public. General activity any day in the early 1960s
Distinguished Men of Science
Walker: - Distinguished Men of Science of Great Britain 1807-8. [Proof, with fascimile signatures on paper not as separate strip] in maple frame. Designed by Gilbert and drawn by F. Skill and W. Walker. Engraved by W. Walker and G. Zobel. London, 1862.
Poster of Valentina Tereshkova, First woman cosmonaut
Poster, translated as the Light of (or Long live) the (World's) first woman (female) Cosmonaut; issued by the Soviet State Publishing House of Decorative/Fine Arts Moscow, 1963. Slogan title in Czech 'At Zije prvni kosmonautka sveta'; imprint in Russian. Featuring design of Vostok-6 and (photograph) HS portrait of Valentina Tereshkova in space helmet. [orbited Earth June 1963]. Lithograph, col. offset, 57 x 85 cm. In frame 67x95x2cm
Caricature of an undertaker hoping for cholera, Europe, c. 1854
Print. lithograph, some col, caricaturing precautions in a cholera epidemic [c1840-1865]. 3. 'Hoping for the spread of the cholera' (a gleeful undertaker, in hat, news reports of deaths), image 10x7cm edged to 12x9cm. Framed together with /1, /2, 52x21x2cm
A cast iron sculpture, 'Iron Baby', Edition AP III/III, by Antony Gormley, England, 1999 (see note).
Entrance into Manchester across Water Street
Ackermann and Company
Print. Aquatint, coloured. 'Entrance into Manchester across Water Street'. T T Bury. delt; H. Pyall. sculpt. - 'Plate 6' of Views on the Liverpool and Manchester Railway. - London, Published Feby 1831 by R Ackermann, 96 Strand. image 19.8x25cm on sheet 23.5x27.5cm. In frame 41x44x2cm
A Manufacturing Town
Laurence Stephen Lowry
A Manufacturing Town by L. S. Lowry, 1922. Signed and dated, bottom left. Industrial cityscape, of no place in particular but in the spirit of a northern town such as the artist's native Salford. An early work with a dark background, painted before Lowry was encouraged to lighten the sky. The artist combines elements of factory buildings, mine heads, smoking chimneys, busy street life and civic pride.
Engraving: Watt's first experiment
Engraving: Watt's first experiment. Marcus Stone ARA pinxt; Herbert Bourne sculpt; published by Appleton & Co, New York . An example of the genre of unashamed romanticism in depicting Watt's 'invention of steam'. overall: 27.5x37.5cm
Unknown Pleasures LP
Joy Division ‘Unknown Pleasures’ LP. 1979. Cover features drawing of 100 consecutive pulses from the first pulsar discovered, CP1919 (now known as PSR1919+21).
Caricature showing 'The State Doctor' during a cholera epidemic, Europe, c. 1854
Print. lithograph, some col, caricaturing precautions in a cholera epidemic [c1840-1865]. 2. 'The State Doctor' (wearing expensive frock coat amid drugs and large pestles), image 9.5x6cm edged to 11.5x8cm. Framed together with /1, /3, 52x21x2cm
Caricature showing a publican's dilemma during a cholera epidemic, Europe, c. 1854
Print. lithograph, some col, caricaturing precautions in a cholera epidemic [c1840-1865]. 1. 'Fearing the spread of the cholera' (gin drinkers beware, publican's dilemma), image 10x7cm edged to 12x9cm. Framed with /2 and /3, 52x21x2cm
'Royal Address of Cadwallader ap-Tudor ap-Edwards ap-Vaughan, Water-King of Southwark', print, London, England, 1832
Coloured etching by G[eorge] Cruikshank: Source of the Southwark Water Works, or [headed] Salus Populi Suprema Lex. Published by S. Knight, . 51x32.5cm. Printed on broadsheet with text poem beneath: Royal Address of Cadwallader... water-king of Southwark [John Edwards]. Concern at pollution and threat to public health. In frame 69x44x2cm
South-East View of Sheffield
Chromolithograph. South East View of Sheffield. Lithographed by T. Picken after W. Ibbitt, printed by Day & Son, [London]. Published April 7th 1855 by W. Ibbitt, 152 Broad Lane, Sheffield. Image 38x68.5cm on sheet 50x77cm. signed in stone brc W Ibbitt/55. Industrial cityscape with smoking chimneys, canal staithes and barges, workmen on break, women washday, mine heads, civic pride. In frame 66x90x2cm
Cesare Urtis & Co - Forniture Electriche
poster, Cesare Urtis & Co. Turine - Forniture Electriche, by Adolfo Hohenstein, printed by Luigi Simondetti,Torino [Turin] c1900. Night scene, a city illuminated by woman holding electrical apparatus, cascade of wires and lightbulbs. Lithograph, col. 74x 52cm. In frame 80x58.5x2cm
Portrait oil painting of John Arnold and family 1783-1787
Painting. John Arnold and family / Robert Davy, [1783-1787]. Oil on canvas; 106x129cm in gilt frame, unglazed, 124x147x8cm. Group portrait depicting the watch and chronometer maker John Arnold (1736-1799) examining a chronometer, his son John Roger Arnold (1769-1843), active from 1783 as a watchmaker, and his wife Margaret Arnold (1743/4-1789). Robert Davy died in 1793 after being robbed. The portrait of John Arnold was engraved in mezzotint by Susan Esther Reid
Mr Lunardi's New Balloon
Drawing, pencil, pen and line with sepia wash. Mr. Lunardi's New Balloon ascending with Mr. Biggin and Mrs. Sage from the Royal George Rotunda in St. George's Fields, near London. By I. Cordy, a spectator. . Image 36x24cm. With technical detail of gantry, supplies, large crowd of spectators. In frame 51x37x1.5cm. 29 June 1785
Audio visual art installation (he. 5.9m x wid. 3.7m x dep. 0.79m), titled ‘Listing Post’ by Mark Hansen and Ben Rubin installed at the Science Museum, London, 2008. The artwork immerses the audience in computer-synthesised text, voice and other audio fragments sampled from the internet. Hardware includes screen modules, support beam, connective wiring, 8 audio speakers plus one subwoofer, control system (computers, audio equipment and networking accessories with spares) and a selection of software for installation and operation. The artwork immerses the audience in computer-synthesised text, voice and other audio fragments sampled from the internet. The hardware includes screen modules, support beam, connective wiring, 8 audio speakers plus one subwoofer, control system (computers, audio equipment and networking accessories with spares) and a selection of software for installation and operation.
'Vaporisateur du Docteur Montazeau', print, Paris, France, 1822-1840
Print. Lithograph, 'Vaporisateur du Docteur Montazeau', by Langlumé (fl.1810-1824). issued [Paris? c1810-24?]. Image 15.1x19.6cm on sheet 22x27cm. Interior scene with young woman seated beside table using a machine powered by foot treadle to bellows and cylinder with its long spout attached to a nose mask to assist her breathing. Inscription below image reads 'Demoiselle agee de 16 ans, atteinte de phthisie pulmonaise, soumise au nouveau traitement du Vaporisateur du Docteur Montazeau'. In frame 29x31x1.5cm
Nimbus, or rain cloud
[Cloud modifications] / E Kenyon [Kennion] with Luke Howard. - n.d. [March 1849]. - one of 4 drawings: pen, watercolour, with white; 28x19cm or smaller; [Plate 5] Nimbus, or rain cloud. - Original studies of clouds "from nature" by Luke Howard, with landscapes by "Mr Kenyon". These were lithographed by EM Williams and printed by M&N Hanhart as illustrations for the 3rd edition of Howard's Essay on the Modifications of Clouds, 1865. The explanations of plates prefacing this edition are by "LH, March 1849" who gave "a number of sketches" to Kenyon. Clouds and landscapes of drawings 1 and 3 are closely related to engravings in Rees' Cyclopedia, dated (Science Museum copy) 1810 and 1820, after work by "E. Kennion" or E. Kennyon" ie, Edward Kennion (1744-1809). It is not known whether these watercolours were executed by 1809, by Edward Kennion using cloud sketches made by Luke Howard (1772-1864) during his most active time of cloud sketching and observation; or, whether Howard refers to Kennion's son Charles John (1789-1853), also an accomplished landscape artist, who may have worked with these sketches in 1849 or 180-. The watercolours are not dated, and more than one finished study may have been made by Howard from his sketchbooks, at any time 180- to 1849. nos. 1 and 4 together in frame 51x37.5x2.5cm.
'Dr Syntax and his wife making an experiment in pneumatics', print, London, England, 1820
Aquatint, col. 'Dr Syntax and his Wife Making an experiment in Pneumatics'. Plate  from 'Dr. Syntax in Paris' [W Combe, 1820]. platemark 15x23cm, image 11x19cm. Caricature, scene dancing in drawing room, Nooth? chemical apparatus on lower left. In frame 29.5x35.5x1.5cm
Trade card: Tho. Tutell, Charring Cross, London. Print of early Scientific Instruments (Engraved by Tuttell). 'Mathematical Instrumt. maker to ye Kings most excellt. Majesty'. more than 60 instruments depicted. Each illustration is numbered as if the picture was a catalogue. Vignette shows surveying instruments in use. (Calv. 408)
Bust of Robert Stephenson, English mechanical and civil engineer, 1859.
"Parian Ware" bust, 15" high, of Robert Stephenson
Portrait mezzotint print from engraving of Bird John, 1776
Portrait mezzotint print from engraving, 'JOHN BIRD of LONDON (1709-1776), 'Who furnished the Chief Observatories of the World, with the most Capital Astronomical Instruments divided by him after an improved method of his own ...', began as a cloth weaver but later turned to instrument making and became 'the great mathematical instrument maker. In 1749 he was given a grant of £500 by the Board of Logitude to make a Quadrant based on an earlier quadrant he had made for the Royal Observatory. Lewis Pinxit, engraved and published by Valentine Green, engraver to his Majesty, & to the Elector Palatine, Sailsbury Street, Strand c1776 [2nd state][London]. Print, mezzotint, [cut to] platemark 35.5x25.4cm, framed, portrait, John Bird (c 1709-1776), HL to L, seated at table with curtain backdrop, arm resting on his diagram of a mural quadrant, the Greenwich Brass Mural Quadrant; described in his The Method of Constructing Mural Quadrants, 1768, also on table.
Cumulostratus forming; fine weather Cirri above
[Cloud modifications] / E Kenyon [Kennion] with Luke Howard. - n.d. [March 1849]. - one of 4 drawings: pen, watercolour, with white; 28x19cm or smaller; [Plate 1] Cumulostratus forming; fine weather cirri above. - Original studies of clouds "from nature" by Luke Howard, with landscapes by "Mr Kenyon". These were lithographed by EM Williams and printed by M&N Hanhart as illustrations for the 3rd edition of Howard's Essay on the Modifications of Clouds, 1865. The explanations of plates prefacing this edition are by "LH, March 1849" who gave "a number of sketches" to Kenyon. Clouds and landscapes of drawings 1 and 3 are closely related to engravings in Rees' Cyclopedia, dated (Science Museum copy) 1810 and 1820, after work by "E. Kennion" or E. Kennyon" ie, Edward Kennion (1744-1809). It is not known whether these watercolours were executed by 1809, by Edward Kennion using cloud sketches made by Luke Howard (1772-1864) during his most active time of cloud sketching and observation; or, whether Howard refers to Kennion's son Charles John (1789-1853), also an accomplished landscape artist, who may have worked with these sketches in 1849 or 180-. The watercolours are not dated, and more than one finished study may have been made by Howard from his sketchbooks, at any time 180- to 1849. nos. 1 and 4 together in frame 51x37.5x2.5cm.
Bust of George Stephenson, English railway engineer, 1859
"Parian Ware" bust, 15" high, of George Stephenson
Trade card. [Edmund] Culpeper, cross daggers representing his address [Crosse Daggers, Moor Fields] London. diagrams (from top left to top right) for two Platonic solids (cube and tetrahedron), circumferentor, lode-stone, gunner's calipers, Gunter's quadrant, dividers, set-square, horizontal dial, terrestrial globe, protractor, plotting scale, Gunter's rule, sector, dividers, backstaff, telescope, forestaff, nocturnal, parrallel rule, prism, Wilson screw-barrel, microscope, nose spectacles, reading glass, universal ring dial, plane table and alidade, graphometer, two Platonic solids (octahedron, dodecahedron). E. Culpeper Sculp. London. (Calv. 106)
James Watt and the Steam Engine Print
Print. Engraving with mezzotint, [James Watt and the Steam Engine]. Engraved by James Scott, 1860, after painting by James Eckford Lander [ie, Lauder]. Trimmed
print, mezzotint, portrait of John Arnold (1736?-1
Susan Esther Reid
print, mezzotint, portrait of John Arnold (1736?-1799), painted by R Davy, engraved by SE Reid, n.d. [c1765-70?]. Dedicated to the Royal Society of Arts by Susan Esther Reid. Sitter shown TQL turning to R seated holding chronometer, book of tables beside inkstand on table. [probably] After the oil by Robert Davy, 1765, inv.1868-248. In frame 53x42x1.5cm
Handbill, Theatre Royal, Covent Garden
One handbill. Theatre Royal, Covent Garden, Saturday, April 10th (year not stated).  Programme includes an "Aeronautic Excursion from London to Paris", in burlesque. Printed by W Reynolds, 9 Denmark Court, Strand, London, 13 1/2" x 7 1/4", 34.3 x 18.5 cm.
Near Wellington, Shropshire
Lithograph: Near Wellington, Shropshire. Printed by C Hullmandel [after Francis Nicholson], 1821. Initialled in the stone blc: F.N.1821. Image 22x31cm, vignette on sheet 27.5x38cm. Scene is of colliery site: pit heads, winding gear and engine houses at night, horse drawn wagon. Transformation of the English landscape by buildings and the pollution of the atmosphere. In frame 33x42x2cm
Anamorphosis Painting of Perspective View of a Ship Model
Willem van de Velde
An anamorphosis painting of a perspective stern view of a ship model / Artist unknown, c.1744-1774. Oil on panel; 43.5 x 52.5 cm in gilded frame, 53.5 x 62 x 4.3 cm. Formerly attributed to 'Van de Velde'. Panel is made from three pieces of wood, the paint overlaid. Painted viewing circle encloses an image of a woman's head. Ship model is of French origin; mounted upon a marbled tabletop. With cylindrical mirror (see 1948-326/2) and anamorphic prints (see 1948-326/3-22).
Portrait of James Watt, F.R.S. (1736-1819) Engineer. Engraved by John Le Conte after John McDonald. Pubd. by W.H. Vaima,. Edinburgh, May 1860. Overall size 18 1/2"x23 7/8" high
Lithograph of Daniel Spills Ivorideworks by Daniel Greenaway, 1875
Lithograph, one of two copies, col., Daniel Spills Ivoride Works, by Daniel Greenaway, n.d. [1875-?]. Aerial view of Works site bounding from [122-124] High Street Office and Mackintosh Lane up to Homerton Station, North London Railway; terraced housing, factory activities. 31x51.5cm on sheet 39x56cm. In frame 52x72x2cm
print. engraving and etching. CAROLVS II. SOCIETATIS REGALIS AVTHOR & PATRONVS - SOCIETATIS PRAESES - ARTIVM INSTAVRATOR Evelyn inv D.D.C.; Wenceslaus Hollar f.1667. [London] [J. Martyn] 1667. [trimmed to] 20x16.5cm. Frontispiece from 4to version of first edition of: History of the Royal Society of London, for the improving of natural knowledge/Thomas Sprat. - London, T.R. for J. Martyn, 1667. The frontispiece consisting of the arms of the Royal Society appeared in editions of 1667, 1702 and 1722, but was omitted from the fourth edition of 1734. This second frontispiece appeared only in the larger impressions of the first edition of 1667. Portraits; Bust of Charles II, patron of the Royal Society, upon an inscribed pedestal and crowned by the figure of Fame. Supported to l. by Viscount Brouncker, first President of the Society; to r. by Sir Francis Bacon, instigator of concept of a society of scientists and philosophers in The New Atlantis. Above, the coat of arms of the Society. In gallery setting, opening to world beyond, amid books and various scientific Instruments. Charles II, King of Great Britain 1630-1685. Bacon, Francis. Hollar, Wenceslaus 1607-1677.
East Indiaman Herefordshire
William John Huggins
Painting. East Indiaman "Herefordshire" (1813) / WJ Huggins, 1815. Oil on canvas; 1320 x1920mm. Signed and dated bl, W.J. Huggins, 1815. Portrait, ship. Shipbuilders' commission with the ship depicted in three different positions, stern, aft, and port, full sail. Coastal scene off Margate. The Herefordshire was built in Bombay in 1813 to the specification of the East India Company who chartered her from private ownership. She was of 1342 tons burden with a crew of 130 men and armed with 26 guns
Lithograph, Chronological pictures of English Hist
Lithograph, Chronological pictures of English History, designed and drawn by John Gilbert: covering 1760 to 1811 in the reign of George III. Featuring inter alia, James Watt seated beside engine apparatus [185-]
Portrait of Ada, Countess of Lovelace
Alfred Edward Chalon
Watercolour, Ada Lovelace, possibly by A E Chalon (1780-1860), [c1840]. 25 x 18.3 cm. Portrait, TQL to L. looking front, in evening dress with mantilla, holding fan
Poster advertising lectures on phrenology, Trowbridge, Wiltshire, England, 1851
Lectures on phrenology, physiology, etc. April 3-10 1851. On yellow paper, 58x23cm. In frame, 64x28.5x2cm.
'Detraining in England', print, England, 1914-1918
Claude Allin Shepperson
Detraining in England, by Claude Shepperson, 1914-1918, from series 'Tending the wounded'. Crayon lithograph, 38.5x51cm, in gilt and black frame 58x68x3cm. Stretcher bearers beside the train loading the wounded into a four-berth ambulance. No. of set subtitled 'Detraining in England', numbered '19' blc, depicting stretcher bearers beside the train loading the wounded into a four-berth ambulance; image 35x46cm, sheet 38.5x51cm
Trade card for John Yarwell, optician, London, England, 1697
Trade card: John Yarwell, at the Archimedes and 3 pair of Golden Spectacles in Ludgate Street, the Shop next Ludgate, London, Makes True Spectacles and other optical instruments.1697. (Calv. 461)
Poster for Magni & C. Vicenza, printed by G Ricordi & C Milano c1900
Poster, coloured lithograph, for Magni & C. Vicenza, printed by G Ricordi & C Milano c1900. On two sheets, image 98.5x71cm and text 52x72cm, together overlapping to150x72cm. [for long term preservation each part is conserved and edged, and framed separately]. Image of sower in field, sunburst; artist's name [I or M Beltrame?] br. Text panel advertising supplies and chemicals for agricultural purposes. Image frame, 107.5x78.5x2cm; text frame, 58.7x79.5x2cm.
Design for a mirror back in ivoride
Drawing, design for a mirror back / unsigned, n.d. [187-]. Pen and ink, 22.5x7cm. [Daniel Spill Ivoride Works]. Pattern of vine and grapes, centre quatrefoil framework tracery surrounding heraldic shield and chevrons. Verso has pencil outline and start of design. [product size 1?]. In frame with others, 56.5x54x2cm
Sir W. Herschell
print. engraving, stipple. SIR W. HERSCHELL./ Engraved by E. Scriven. London. Published by Charles Knight, Ludgate Street, London  24x16cm., image 12.9x10.2cm. Plate from : Gallery of Portraits/C. Knight. - 1834. - "From a Crayon Picture by the late J. Russell, Esqre. R.A. in the possession of Sir John Herschell". - Published "Under the Superintendance of the Society for the Diffusion of Useful Knowledge" - Portrait, William Herschel, 1738-1822, astronomer, HL to L, holding drawing of "The Georgian Planet with the Satellites"; Scriven, Edward c1775-1841.
Operative Society of Bricklayers
Engraving, some colour: [Membership Certificate] Operative Society of Bricklayers. Designed by A.J. Waudby. [c1866-1870?]. The figures Engraved by C.H. Jeens. Engraved by J.H. Le Keux. Printed by Bradbury, Wilkinson & Co. Farringdon Road, London EC. Issued Leighton Buzzard branch, March 1887. Platemark 58x45.7cm, sheet 69.5x51cm. Trade Union emblem with figures, inset scenes of gauge work, brick laying, brick making, assorted tools and props. In frame 74.5x56.5x2cm