Explore objects reflecting Manchester’s development from the mid-20th century into a centre for the creative industries. The collection focuses on film and television production and the city's alternative music scene.
Creative Industries
Tools used by Paul Berry whilst working as an animator in Manchester and elsewhere bewteen 1981 and 2001.
c.1970s
The earliest puppet made by Paul Berry as a child.
Tool box used by Paul Berry whilst working as an animator in Manchester and elsewhere bewteen 1981 and 2001.
Replica of the Mr Fingal character puppet from the children's animated television series 'Cockleshell Bay', made by Cosgrove Hall Productions Ltd for transmission on Thames Television between 1982 and 1986.
Armature for a puppet from the 2001 film 'Monkeybone', directed by Henry Selick.
Maquette of Boy character from 'The Sandman', a short animation directed and animated by Paul Berry.
Set complete with houses used in the filming of 'Bob the Builder'.
Model cupboard used as a prop on the Santa interior set from the 1993 Disney stop-motion animation film The Nightmare Before Christmas,' directed by Tim Burton.
Picture and easel prop used on a set from 'The Nightmare before Christmas,' a Skellington Productions stop-motion animation film directed by Tim Burton in 1993.
1990
Replica of the Alien from the film Alien, made by Exquisite Corpse, England, c.1990
Pair of loading bay doors from the Hacienda nightclub, which operated from 1982 to 1997.
Wooden apostrophe-shaped panel that was part of the Zumbar wall decorations from the Hacienda nightclub, 1987 onwards.
1998
Factory Too Records CD (Fac 2.41) of Durutti Column's 'Time Was Gigantic... When We Were Kids' and 'Reissued Experiments', signed by Vini Reilly and released in October 1998.
Large wooden 'Zumbar' sign from the club night held at the Hacienda nightclub, started in 1987.
Crew jacket worn by Paul Berry on the set of the 2001 20th Century Fox Film Corporation film Monkeybone. The film combines live action with stop-motion and clay animation. It was directed by Henry Selick and Paul Berry was Supervising Animator.
T- shirt bearing the logo 'Rob's Records', given to a member of the band 'The Flamingos' after they signed to the Rob Gretton's record label. From the 1990s.
Crew jacket worn by Paul Berry on the set of the 1996 Disney stop-motion animation film James and the Giant Peach, produced by Tim Burton and directed by Henry Selick. Paul Berry worked as Supervising Animator on this film.
Cardboard box containing 7" and 12" records by various Factory Records artists; owned by Anthony Wilson.
white 'Series 7' chair, designed by Arne Jacobsen and manufactured by Fritz Hansen; this chair was used at the Factory Records Headquarters (FAC 251) on Charles Street Manchester, it formed part of FAC 331 'The Temporary Contemporary Table' designed by Andy Woodcock and Ed Jackson, made in January 1991
Worm character puppet from the 1996 Disney stop-motion animation film 'James and the Giant Peach,' produced by Tim Burton and directed by Henry Selick.
Baseball cap worn by Paul Berry on the set of the 20th Century Fox film Monkeybone (2001) based on the comic book series, Dark Town, directed by Henry Selick. Paul Berry was Supervising Animator on this production.
1990-2000
A wooden cabinet with telephone/internet port; material inside cabinet.
Tray of mouthpieces for the Ladybug character from the 1996 Disney stop-motion animation film 'James and the Giant Peach,' produced by Tim Burton and directed by Henry Selick.
red 'Series 7' chair, designed by Arne Jacobsen and manufactured by Fritz Hansen; this chair was used at the Factory Records Headquarters (FAC 251) on Charles Street Manchester, it formed part of FAC 331 'The Temporary Contemporary Table' designed by Andy Woodcock and Ed Jackson, made in January 1991
Tray of mouthpieces for the Grasshopper character from the 1996 Disney stop-motion animation film 'James and the Giant Peach,' produced by Tim Burton and directed by Henry Selick.
Tray of mouthpieces for the Grasshopper character from the Disney stop-motion animation 1996 film 'James and the Giant Peach,' produced by Tim Burton and directed by Henry Selick.
1989
An enamal "Dry 201" lapel badge, produced c.1989.
1995
Invitation (in CD case) for the 'Play By' Hacienda compilation album, released in October 1995 by Factory Records.
Courier bag containing 7" and 12" vinyl records, and audio casettes, by various Factory Records artists; owned by Anthony Wilson.
1995-1999
Rubber stamp for 'The Boot Room url' showing the web address.
Sign with 'Z' symbol, from 'Zumbar' a night held at the Hacienda from 1987 onwards.
Kim Philby sign based on the original in the Gay Traitor Bar in the basement of the Hacienda and used as a prop on the set of the film '24 Hour Party People', released in 2002.
A box of 7" vinyl records containing singles by Factory Records artists, including Durutti Column, Joy Division and New Order; owned by Anthony Wilson.
'Hot' sign from the club night held at the Hacienda nightclub, from 1988.
A studio audio unit, with inputs for microphones and noise gates, used at BBC Manchester.
T-shirt worn by Paul Berry on the set of the 1996 Disney stop-motion animation film James and the Giant Peach, produced by Tim Burton and directed by Henry Selick. Paul Berry worked as Supervising Animator on this film.
Post in the style of a traffic bollard from the Hacienda nightclub in Manchester, which formed part of the interior design by Ben Kelly.
Ladybug character puppet from the 1996 Disney stop-motion animation film 'James and the Giant Peach', produced by Tim Burton, directed by Henry Selick and animated by Paul Berry.
Witch character puppet from the 1993 Disney stop-motion animation film 'Tim Burton's The Nightmare Before Christmas', directed by Henry Selick and animated by Paul Berry.
Bow tie worn by Paul Berry to the 1992 Academy Awards ceremony when 'The Sandman' was nominated for Best Short Film (Animated).
A box of 7" vinyl records by various non-Factory Records artists, including Adam Ant, The Skids, and The Reducers; owned by Anthony Wilson.
Centipede character puppet (made from spare parts) from the 1996 Disney stop-motion animation film 'James and the Giant Peach,' produced by Tim Burton and directed by Henry Selick.
Head from the Weasel character puppet from the stop-motion animation television series 'The Wind in the Willows', made between 1984 and 1990 by Cosgrove Hall Productions, following the success of the film of the same title.
1986
Pin badge; Fac 151, the Festival of the Tenth Summer took place in July 1986 to celebrate the 10th Anniversary of the famous Sex Pistols gig at the Lesser Free Trade Hall. Ten Events were held to celebrate the culture of Manchester, culminating in a gig at G-Mex which featured Factory artists.
1980
JVC KY-2000 television camera with case and original accessories, used by Anthony Wilson and IKON FCL when filming news pieces for Granada TV, c.1980.
Two copies of a laminated invitation to Space Monkeys' Warehouse Party.
1988
Pair of boots belonging to the Cyberman costume as used in the T.V. series 'Dr Who' made by the B.B.C., London, c.1988.
A Beau Brummel music library case containing 12" vinyl records and audio cassettes by various Factory Records artists; owned by Anthony Wilson.
Rubber stamp for 'The Boot Room pathboard'.
Factory Too Records CD (FACDR 2.41) of Durutti Column's 'Time Was Gigantic ... When We Were Kids' and 'Reissued Experiments', signed by Vini Reilly and released in October 1998.
