Reynaud’s 1877 Praxinoscope was similar to a zoetrope, with mirrors in place of viewing slits. As the wheel turned, the reflections of the pictures appeared stationary. This Praxinoscope theatre was a development of Reynaud’s earlier Praxinoscope. This version had a glass viewing screen which reflected one of a range of printed scenes placed below the viewing aperture on the inside of the lid. Looking through this aperture, the viewer sees the moving figure reflected on the mirror drum which appears to be superimposed on the printed scene.

Reynaud’s 1877 Praxinoscope was similar to a zoetrope, with mirrors in place of viewing slits. As the wheel turned, the reflections of the pictures appeared stationary. This Praxinoscope theatre was a development of Reynaud’s earlier Praxinoscope. This version had a glass viewing screen which reflected one of a range of printed scenes placed below the viewing aperture on the inside of the lid. Looking through this aperture, the viewer sees the moving figure reflected on the mirror drum which appears to be superimposed on the printed scene.

Reynaud’s 1877 Praxinoscope was similar to a zoetrope, with mirrors in place of viewing slits. As the wheel turned, the reflections of the pictures appeared stationary. This Praxinoscope theatre was a development of Reynaud’s earlier Praxinoscope. This version had a glass viewing screen which reflected one of a range of printed scenes placed below the viewing aperture on the inside of the lid. Looking through this aperture, the viewer sees the moving figure reflected on the mirror drum which appears to be superimposed on the printed scene.

Reynaud’s 1877 Praxinoscope was similar to a zoetrope, with mirrors in place of viewing slits. As the wheel turned, the reflections of the pictures appeared stationary. This Praxinoscope theatre was a development of Reynaud’s earlier Praxinoscope. This version had a glass viewing screen which reflected one of a range of printed scenes placed below the viewing aperture on the inside of the lid. Looking through this aperture, the viewer sees the moving figure reflected on the mirror drum which appears to be superimposed on the printed scene.

Reynaud’s 1877 Praxinoscope was similar to a zoetrope, with mirrors in place of viewing slits. As the wheel turned, the reflections of the pictures appeared stationary. This Praxinoscope theatre was a development of Reynaud’s earlier Praxinoscope. This version had a glass viewing screen which reflected one of a range of printed scenes placed below the viewing aperture on the inside of the lid. Looking through this aperture, the viewer sees the moving figure reflected on the mirror drum which appears to be superimposed on the printed scene.

Reynaud’s 1877 Praxinoscope was similar to a zoetrope, with mirrors in place of viewing slits. As the wheel turned, the reflections of the pictures appeared stationary. This Praxinoscope theatre was a development of Reynaud’s earlier Praxinoscope. This version had a glass viewing screen which reflected one of a range of printed scenes placed below the viewing aperture on the inside of the lid. Looking through this aperture, the viewer sees the moving figure reflected on the mirror drum which appears to be superimposed on the printed scene.

Reynaud’s 1877 Praxinoscope was similar to a zoetrope, with mirrors in place of viewing slits. As the wheel turned, the reflections of the pictures appeared stationary. This Praxinoscope theatre was a development of Reynaud’s earlier Praxinoscope. This version had a glass viewing screen which reflected one of a range of printed scenes placed below the viewing aperture on the inside of the lid. Looking through this aperture, the viewer sees the moving figure reflected on the mirror drum which appears to be superimposed on the printed scene.

Reynaud’s 1877 Praxinoscope was similar to a zoetrope, with mirrors in place of viewing slits. As the wheel turned, the reflections of the pictures appeared stationary. This Praxinoscope theatre was a development of Reynaud’s earlier Praxinoscope. This version had a glass viewing screen which reflected one of a range of printed scenes placed below the viewing aperture on the inside of the lid. Looking through this aperture, the viewer sees the moving figure reflected on the mirror drum which appears to be superimposed on the printed scene.

Reynaud’s 1877 Praxinoscope was similar to a zoetrope, with mirrors in place of viewing slits. As the wheel turned, the reflections of the pictures appeared stationary. This Praxinoscope theatre was a development of Reynaud’s earlier Praxinoscope. This version had a glass viewing screen which reflected one of a range of printed scenes placed below the viewing aperture on the inside of the lid. Looking through this aperture, the viewer sees the moving figure reflected on the mirror drum which appears to be superimposed on the printed scene.

Reynaud’s 1877 Praxinoscope was similar to a zoetrope, with mirrors in place of viewing slits. As the wheel turned, the reflections of the pictures appeared stationary. This Praxinoscope theatre was a development of Reynaud’s earlier Praxinoscope. This version had a glass viewing screen which reflected one of a range of printed scenes placed below the viewing aperture on the inside of the lid. Looking through this aperture, the viewer sees the moving figure reflected on the mirror drum which appears to be superimposed on the printed scene.

Reynaud’s 1877 Praxinoscope was similar to a zoetrope, with mirrors in place of viewing slits. As the wheel turned, the reflections of the pictures appeared stationary. This Praxinoscope theatre was a development of Reynaud’s earlier Praxinoscope. This version had a glass viewing screen which reflected one of a range of printed scenes placed below the viewing aperture on the inside of the lid. Looking through this aperture, the viewer sees the moving figure reflected on the mirror drum which appears to be superimposed on the printed scene.