Plaster cast model head of Peter Cushing

Plaster cast model head of Peter Cushing Plaster cast model head of Peter Cushing Plaster cast model head of Peter Cushing

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Creative Commons LicenseThis image is released under a CC BY-NC-SA 4.0 Licence

Buy this image as a print 

Buy

License this image for commercial use at Science and Society Picture Library

License

Creative Commons LicenseThis image is released under a CC BY-NC-SA 4.0 Licence

Buy this image as a print 

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License this image for commercial use at Science and Society Picture Library

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Science Museum Group
© The Board of Trustees of the Science Museum

Science Museum Group
© The Board of Trustees of the Science Museum

Science Museum Group
© The Board of Trustees of the Science Museum

Plaster cast model of Peter Cushing's head made by Roy Ashton for Hammer Films, bearing a number of colour marks, probably caused by the application and removal of various make-up materials and prosthetics.

Roy Ashton (1909–95) and Phil Leakey (1908–92) were master make-up artists who worked on many of the British cult horror films of the mid-20th century. A trained artist, Australia-born Ashton began his career at Gaumont-British Film Corporation in 1932 as a means of supplementing his passion for opera singing. In 1955, Ashton became the assistant to Hammer Films’ Phil Leakey, the first makeup artist to receive on-screen credit for ‘Special Make-up Effects’. Following Leakey’s departure from Hammer in 1958, Ashton took over as head makeup artist, where he continued his expert work throughout the 1960s and 1970s.

This life mask was cast to assist the make-up artists with their make-up tests and prosthetic construction. Cushing was a regular in Hammer horror films, appearing in twenty-two titles beginning in 1957 with 'The Curse of Frankenstein'.

Details

Category:
Cinematography
Collection:
Roy Ashton & Phil Leakey Collection
Object Number:
2000-5000/553
Materials:
plaster
Measurements:
overall: 280 mm x 200 mm x 220 mm, 2.62 kg
type:
plaster cast