Detailed portrait of patients in card game by Paul Drury. Graphite portrait of five male sitters

Detailed portrait of patients in card game by Paul Drury. Graphite portrait of five male sitters, engaged in a card game. The figures are assembled around the corner of a table. The sitters from left to right: . 1. Seated male figure with spectacles and receding hairline, holding a set of cards and looking at them.. 2. Standing male figure leaning on wall, wearing a jacket and waistcoat, with right hand in pocket. His gaze is directed downwards, and is annotated with ‘DK Red’ and ‘grey [possibly, indecipherable]’. 3. Standing male figure with arms crossed. His hair is slicked back, and his lips slightly parted as his gaze is directed towards the table.. 4. Male figure, possibly sat on stool as his hand is leaning on his knee. He is slouching slightly, looking downwards at the table or the floor. . 5. [Nearest viewer] Seated male figure with hands on table. Tousled hair with short sides. His cards are laid on the table.. In background is a light switch and windowpane.

Paul Drury is best known as an accomplished etcher of portraits and landscapes. Part of the etching revival in the 1920s, Drury became head of the Etching Department at Goldsmiths from 1946 and President of the Royal Society of Painter-Etchers and Engravers from 1970. Relatively unknown, however, is his work during the Second World War at Queen Mary’s Hospital (QMH) Roehampton, which was founded in 1915 to cater to the huge numbers of amputee soldiers injured in the First World War.

Drury was posted to QMH as an assistant in the plaster workshop of the artificial limb unit in 1939, where he worked until the end of the war. Whilst there, he obtained permission from the War Artists Advisory Committee to make records of his experiences, producing a mix of finished and preparatory drawings, etchings, paintings and pastels that are represented in this collection of works. Through these, Drury captured the everyday activities of technicians, doctors and nursing staff alongside the wounded themselves, showing us a little of their personalities and emotions in portraits and group scenes. The works also introduce the wider experiences of convalescence at QMH during the war, including sheltering patients during air-raids, treatments for wounded limbs and the card games played to pass the time.