158 daguerreotypes in original cabinet, 1 box containing Ellis's photography notes, 1 box containing copy negatives, 1 box containing conservation materials The Ellis Collection of Daguerreotypes of Italy
Daguerreotype, entitled 'Bridge of the Rialto and Rive de Carboni from the White Lion Inn', 1841 by the Rev Alexander Ellis. Between Easter 1840 and the summer of 1841 Alexander Ellis toured Italy, taking daguerreotype panoramas, landscapes and architectural views. In total, Ellis took or acquired 159 daguerreotypes. He intended to publish engravings made from these as a book entitled 'Italy Daguerreotyped', but sadly the project was never realised. Bridge of the Rialto and Rive de Carboni from the White Lion Inn 1841-07-20
Daguerreotype 'Florence, The Campanile and portion of the South side of the Cathedral', 1841 by the Rev Alexander Ellis. Between Easter 1840 and the summer of 1841 Alexander Ellis toured Italy, taking daguerreotype panoramas, landscapes and architectural views. In total, Ellis took or acquired 159 daguerreotypes. He intended to publish engravings made from these as a book entitled 'Italy Daguerreotyped', but sadly the project was never realised. Florence, The Campanile and portion of the South side of the Cathedral 1841-07-03
Daguerreotype of Pompeii, Italy, taken by Alexander John Ellis [1818-1890],on 12 May 1841. It is entitled 'Pompeii, The Basilica, seen from just beyond the Western side of the Forum, about 10am' Ellis made eight daguerreotypes in Pompeii between April 21 and May 12, 1841, also taking daguerreotypes in nearby Paestum at the same time. In 1839, the Daguerreotype, invented by Louis Jacques Mande Daguerre [1787-1851], became the first photographic process to be announced to the public. A highly-polished silver surface on a copper plate was sensitised to light by exposing it to iodine fumes. After exposing the plate in a camera it was developed with mercury vapour. Daguerreotypes are unique images which may appear as a positive or negative depending on how light hits the surface. Between Easter 1840 and the summer of 1841 Alexander Ellis toured Italy, taking daguerreotype panoramas, landscapes and architectural views. In total, Ellis took or acquired 159 daguerreotypes. He intended to publish engravings made from these as a book entitled 'Italy Daguerreotyped', but sadly the project was never realised. Pompeii, The Basilica... 1841
Daguerreotype of Pompeii, Italy, taken by Alexander John Ellis (1818-1890), on 12 May 1841. It is entitled 'Pompeii, Western Face of an Altar in a Temple [called that of Mercury]' Ellis made eight daguerreotypes in Pompeii between April 21 and May 12, 1841, also taking daguerreotypes in nearby Paestum at the same time. In 1839, the Daguerreotype, invented by Louis Jacques Mande Daguerre (1787-1851), became the first photographic process to be announced to the public. A highly-polished silver surface on a copper plate was sensitised to light by exposing it to iodine fumes. After exposing the plate in a camera it was developed with mercury vapour. Daguerreotypes are unique images which may appear as a positive or negative depending on how light hits the surface. Between Easter 1840 and the summer of 1841 Alexander Ellis toured Italy, taking daguerreotype panoramas, landscapes and architectural views. In total, Ellis took or acquired 159 daguerreotypes. He intended to publish engravings made from these as a book entitled 'Italy Daguerreotyped', but sadly the project was never realised. Pompeii, Western Face of an Altar in a Temple (called that of Mercury) 1841
Daguerreotype of Pompeii, Italy, taken by Alexander John Ellis (1818-1890),on 22 April 1841. It is entitled 'Pompeii, Interior of the Temple (called that of Venus) on the west side of the Forum' Ellis made eight daguerreotypes in Pompeii between April 21 and May 12, 1841, also taking daguerreotypes in nearby Paestum at the same time. In 1839, the Daguerreotype, invented by Louis Jacques Mande Daguerre (1787-1851), became the first photographic process to be announced to the public. A highly-polished silver surface on a copper plate was sensitised to light by exposing it to iodine fumes. After exposing the plate in a camera it was developed with mercury vapour. Daguerreotypes are unique images which may appear as a positive or negative depending on how light hits the surface. Between Easter 1840 and the summer of 1841 Alexander Ellis toured Italy, taking daguerreotype panoramas, landscapes and architectural views. In total, Ellis took or acquired 159 daguerreotypes. He intended to publish engravings made from these as a book entitled 'Italy Daguerreotyped', but sadly the project was never realised. Pompeii, Interior of the Temple (called that of Venus) 1841
Daguerreotype of Pompeii, Italy, taken by Alexander John Ellis (1818-1890),on 12 May 1841. It is entitled 'Pompeii, The Forum from the Southern extremity. In the distance (scarcely visible) Vesuvius' Ellis made eight daguerreotypes in Pompeii between April 21 and May 12, 1841, also taking daguerreotypes in nearby Paestum at the same time. In 1839, the Daguerreotype, invented by Louis Jacques Mande Daguerre (1787-1851), became the first photographic process to be announced to the public. A highly-polished silver surface on a copper plate was sensitised to light by exposing it to iodine fumes. After exposing the plate in a camera it was developed with mercury vapour. Daguerreotypes are unique images which may appear as a positive or negative depending on how light hits the surface. Between Easter 1840 and the summer of 1841 Alexander Ellis toured Italy, taking daguerreotype panoramas, landscapes and architectural views. In total, Ellis took or acquired 159 daguerreotypes. He intended to publish engravings made from these as a book entitled 'Italy Daguerreotyped', but sadly the project was never realised. Pompeii, The Forum... 1841
Daguerreotype of Pompeii, Italy, taken by Alexander John Ellis [1818-1890],on 21 April 1841. It is entitled 'Pompeii, The East side of the Street of Tombs from one of the upper rooms in the Ancient Inn' Ellis made eight daguerreotypes in Pompeii between April 21 and May 12, 1841, also taking daguerreotypes in nearby Paestum at the same time. In 1839, the Daguerreotype, invented by Louis Jacques Mande Daguerre [1787-1851], became the first photographic process to be announced to the public. A highly-polished silver surface on a copper plate was sensitised to light by exposing it to iodine fumes. After exposing the plate in a camera it was developed with mercury vapour. Daguerreotypes are unique images which may appear as a positive or negative depending on how light hits the surface. Between Easter 1840 and the summer of 1841 Alexander Ellis toured Italy, taking daguerreotype panoramas, landscapes and architectural views. In total, Ellis took or acquired 159 daguerreotypes. He intended to publish engravings made from these as a book entitled 'Italy Daguerreotyped', but sadly the project was never realised. Pompeii, The East side of the Street of Tombs... 1841
Daguerreotype of Pompeii, Italy, taken by Alexander John Ellis [1818-1890],on 22 April 1841. It is entitled 'Pompeii, The West side of the Street of Tombs with the remains of the Ancient Inn'. Ellis made eight daguerreotypes in Pompeii between April 21 and May 12, 1841, also taking daguerreotypes in nearby Paestum at the same time. In 1839, the Daguerreotype, invented by Louis Jacques Mande Daguerre [1787-1851], became the first photographic process to be announced to the public. A highly-polished silver surface on a copper plate was sensitised to light by exposing it to iodine fumes. After exposing the plate in a camera it was developed with mercury vapour. Daguerreotypes are unique images which may appear as a positive or negative depending on how light hits the surface. Between Easter 1840 and the summer of 1841 Alexander Ellis toured Italy, taking daguerreotype panoramas, landscapes and architectural views. In total, Ellis took or acquired 159 daguerreotypes. He intended to publish engravings made from these as a book entitled 'Italy Daguerreotyped', but sadly the project was never realised. Pompeii, the West side of the Street of Tombs... 1841
Daguerreotype of Pompeii, Italy, taken by Alexander John Ellis (1818-1890),on12 May 1841. It is entitled 'Pompeii, The Temple (called that of Jupiter) at the northern extremity of the Forum' Ellis made eight daguerreotypes in Pompeii between April 21 and May 12, 1841, also taking daguerreotypes in nearby Paestum at the same time. In 1839, the Daguerreotype, invented by Louis Jacques Mande Daguerre (1787-1851), became the first photographic process to be announced to the public. A highly-polished silver surface on a copper plate was sensitised to light by exposing it to iodine fumes. After exposing the plate in a camera it was developed with mercury vapour. Daguerreotypes are unique images which may appear as a positive or negative depending on how light hits the surface. Between Easter 1840 and the summer of 1841 Alexander Ellis toured Italy, taking daguerreotype panoramas, landscapes and architectural views. In total, Ellis took or acquired 159 daguerreotypes. He intended to publish engravings made from these as a book entitled 'Italy Daguerreotyped', but sadly the project was never realised. Pompeii, The Temple (called that of Jupiter)... 1841
Daguerreotype of Pompeii, Italy, taken by Alexander John Ellis (1818-1890),on 21 April 1841. It is entitled 'Pompeii, The Forum from the South East Angle.Vesuvius is only just visible' Ellis made eight daguerreotypes in Pompeii between April 21 and May 12, 1841, also taking daguerreotypes in nearby Paestum at the same time. In 1839, the Daguerreotype, invented by Louis Jacques Mande Daguerre (1787-1851), became the first photographic process to be announced to the public. A highly-polished silver surface on a copper plate was sensitised to light by exposing it to iodine fumes. After exposing the plate in a camera it was developed with mercury vapour. Daguerreotypes are unique images which may appear as a positive or negative depending on how light hits the surface. Between Easter 1840 and the summer of 1841 Alexander Ellis toured Italy, taking daguerreotype panoramas, landscapes and architectural views. In total, Ellis took or acquired 159 daguerreotypes. He intended to publish engravings made from these as a book entitled 'Italy Daguerreotyped', but sadly the project was never realised. Pompeii, The Forum from the South East angle... 1841
1 daguerreotype Daguerreotype "Rome, View in the Forum from the Senator's Walk, West End, looking West"
1 daguerreotype; image: 151 mm x 208 mm; image: 159 mm x 208 mm; object: 278 mm x 339 mm Daguerreotype 12 of 13 in series "Rome, Panorama from the Capitol Tower"
1 daguerreotype Daguerreotype "Rome, Arch of Titus, interior of Basso Rilievo No 1, Titus in his Triumphal Car"
1 daguerreotype Daguerreotype "Rome, Bronze Statue of Emperor Marcus Aurelius [South Side] on the Capitoline Hill"
158 daguerreotypes and 1 box containing Ellis's photography notes Ellis daguerreotypes in original cabinet
1 daguerreotype; overall: 278 mm x 342 mm x 15 mm Daguerreotype 8 of 8 in series "Rome, Panorama from San Pietro in Montorio"
1 daguerreotype; image: 159 mm x 208 mm; object: 273 mm x 340 mm Daguerreotype 10 of 13 in series "Rome, Panorama from the Capitol Tower"
1 daguerreotype Daguerreotype "Rome, The East side of the Triumphal Arch of Septimus Severus to the left of the Temple of Jupiter"
1 daguerreotype Daguerreotype "Rome, The Three columns of the Grecostasis, (sometimes called the Temple of Jupiter) West side"
1 box containing copy negatives, 1 box containing conservation materials Modern copy negatives and conservation materials
1 daguerreotype; overall: 273 mm x 337 mm x 15 mm Daguerreotype 4 of 8 in series "Rome, Panorama from San Pietro in Montorio"
1 daguerreotype Daguerreotype "Rome, Temple of Fuastina and Antonimus, now the Church of S Lorenzo in Miranda"
1 daguerreotype; image: 159 mm x 208 mm; object: 277 mm x 338 mm Daguerreotype 11 of 13 in series "Rome, Panorama from the Capitol Tower"
1 daguerreotype; overall: 276 mm x 340 mm x 15 mm Daguerreotype 7 of 8 in series "Rome, Panorama from San Pietro in Montorio"
1 daguerreotype Daguerreotype "Rome, Arch of Titus, interior of Basso Rilievo No 2, Jewish sacred candlestick"
1 daguerreotype, image: 152 mm x 195 mm; object: 275 mm x 339 mm Daguerreotype 1 of 13 in series "Rome, Panorama from the Capitol Tower"
1 daguerreotype; overall: 275 mm x 338 mm x 15 mm Daguerreotype 2 of 8 in series "Rome, Panorama from San Pietro in Montorio"