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Sample of Mokumegane in shibuishi and shakudo which was heated at 600°C and suspended in ammonia vapour. Made by Dr Ian Ferguson at the Royal College of Art, 1990-1996.

Sample of Mokumegane in shibuishi and shakudo

1990-1996

Mokumegane bowl made of Shibuishi, by Dr Ian Ferguson, Royal College of Art, 1990-1996.

Mokumegane bowl made of Shibuishi

1990-1996

Sample of Mokumegane in copper and gilding metal which was heated at 800°C, also using molten potassium nitrate. Made by Dr Ian Ferguson at the Royal College of Art, 1990-1996.

Sample of Mokumegane in copper and gilding metal which was heated at 800�C

1990-1996

Sample of Mokumegane in fine silver, shibuishi and gilding metal which was heated at 600°C and suspended in ammonia vapour. Made by Dr Ian Ferguson at the Royal College of Art, 1990-1996.

Sample of Mokumegane in fine silver

1990-1996

Sample of Mokumegane in sterling silver and shibuishi, which was heated at 600°C and suspended in ammonia vapour. Made by Dr Ian Ferguson at the Royal College of Art, 1990-1996.

Mokume gane in sterling silver and shibuishi

1990-1996

Sample of Mokumegane in fine silver and shibuishi (Japanese metal comprising 67% copper, 33% silver, plus gilding metal; spotted effect). This was heated at 600°C to give a natural finish. Made by Dr Ian Ferguson at the Royal College of Art, 1990-1996.

Mokume gane in silver and shibuishi

1990-1996

Sample of Mokumegane in shibuishi and bronze which was heated at 600°C and suspended in ammonia vapour. Made by Dr Ian Ferguson at the Royal College of Art, 1990-1996.

Sample of Mokumegane in shibuishi and bronze

1990-1996

Sample of Mokumegane in shibuishi and copper which was heated at 600°C and suspended in ammonia vapour. Made by Dr Ian Ferguson at the Royal College of Art, 1990-1996.

Sample of Mokumegane in shibuishi and copper

1990-1996