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30 examples of Mokume gane

30 examples of Mokumegane, made by Dr Ian Ferguson at the Royal College of Art, 1990-1996.

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Sample of Mokumegane in sterling silver and brass which was heated at 600°C, also using a boiling solution of copper sulphate and sodium chlorate. Made by Dr Ian Ferguson at the Royal College of Art, 1990-1996.

Mokume gane in sterling silver and brass

1990-1996
Sample of Mokumegane in sterling silver and monelmetal, which was heated to bright red at 800°C. Made by Dr Ian Ferguson at the Royal College of Art, 1990-1996.

Mokumegane in sterling silver and monelmetal

1990-1996
Sample of Mokumegane in sterling silver and titanium which was heated at 800°C to induce interference colours, also using a hot solution of potassium polysulphide. Made by Dr Ian Ferguson at the Royal College of Art, 1990-1996.

sample of mokumegane in sterling silver and titanium

1990-1996
Sample of Mokumegane in copper and monel metal which was heated at 900°C, also using molten potassium nitrate. Made by Dr Ian Ferguson at the Royal College of Art, 1990-1996.

Sample of Mokumegane in copper and monel metal which was heated at 900�C

1990-1996
Sample of Mokumegane in copper and iron which was heated at 900°C, and suspended in ammonia and sodium chloride vapour. Made by Dr Ian Ferguson at the Royal College of Art, 1990-1996.

Sample of Mokumegane in copper and iron which was heated at 900�C

1990-1996
Sample of Mokumegane in copper and stainless steel which was heated at 900°C, also using a hot solution of copper sulphate and ammonia. Made by Dr Ian Ferguson at the Royal College of Art, 1990-1996.

Sample of Mokumegane in copper and stainless steel which was heated at 900�C

1990-1996
Sample of Mokumegane in copper and nickel silver which was heated at 850°C, also using a hot solution of copper sulphate and ammonia. Made by Dr Ian Ferguson at the Royal College of Art, 1990-1996.

Sample of Mokumegane in copper and nickel silver which was heated at 850�C

1990-1996
Sample of Mokumegane in copper and bronze which was heated at 800°C and suspended in ammonia vapour. Made by Dr Ian Ferguson at the Royal College of Art, 1990-1996.

Sample of Mokumegane in copper and bronze which was heated at 800�C and suspended in ammonia vapour

1990-1996
Sample of Mokumegane in sterling silver and stainless steel, which was heated at 800°C to induce interference colours, also using a hot solution of copper sulphate and ammonia. Made by Dr Ian Ferguson at the Royal College of Art, 1990-1996.

Sample of Mokumegane in sterling silver and stainless steel

1990-1996
Sample of Mokumegane in copper and brass which was heated at 800°C, also using molten potassium nitrate. Made by Dr Ian Ferguson at the Royal College of Art, 1990-1996.

Sample of Mokumegane in copper and brass which was heated at 800�C

1990-1996
Sample of Mokumegane in bronze and nickel silver which was heated at 800°C, and suspended in ammonia vapour. Made by Dr Ian Ferguson at the Royal College of Art, 1990-1996.

Sample of Mokumegane in bronze and nickel silver which was heated at 800�C

1990-1996
Sample of Mokumegane in silver and iron which was heated at 850°C, producing a natural finish. Made by Dr Ian Ferguson at the Royal College of Art, 1990-1996.

Sample of Mokumegane in silver and iron which was heated at 850�C

1990-1996
Sample of Mokumegane in shibuishi and shakudo which was heated at 600°C and suspended in ammonia vapour. Made by Dr Ian Ferguson at the Royal College of Art, 1990-1996.

Sample of Mokumegane in shibuishi and shakudo

1990-1996
Sample of Mokumegane in copper and titanium which was heated at 800°C to induce interference colours, plus molten potassium nitrate. Made by Dr Ian Ferguson at the Royal College of Art, 1990-1996.

Sample of Mokumegane in copper and titanium

1990-1996
Sample of Mokumegane in stainless steel and iron which was heated at 900°C to induce interference colours and quenched in oil. Made by Dr Ian Ferguson at the Royal College of Art, 1990-1996.

Sample of Mokumegane in stainless steel and iron

1990-1996
Sample of Mokumegane in fine silver and copper which was heated at 600°C, also using a boiling solution of copper sulphate and sodium chlorate. Made by Dr Ian Ferguson at the Royal College of Art, 1990-1996.

Mokume gane in fine silver and copper

1990-1996
Sample of Mokumegane in copper and gilding metal which was heated at 800°C, also using molten potassium nitrate. Made by Dr Ian Ferguson at the Royal College of Art, 1990-1996.

Sample of Mokumegane in copper and gilding metal which was heated at 800�C

1990-1996
Sample of Mokumegane in brass and monelmetal which was heated at 850°C, and suspended in ammonia and sodium chloride vapour. Made by Dr Ian Ferguson at the Royal College of Art, 1990-1996.

Sample of Mokumegane in brass and monelmetal which was heated at 850�C

1990-1996
Sample of Mokumegane in bronze and brass which was heated at 800°C, also using a hot solution of copper sulphate and ammonia. Made by Dr Ian Ferguson at the Royal College of Art, 1990-1996.

Sample of Mokumegane in bronze and brass which was heated at 800�C

1990-1996
Sample of Mokumegane in brass and iron which was heated at 850°C, also using molten potassium nitrate. Made by Dr Ian Ferguson at the Royal College of Art, 1990-1996.

Sample of Mokumegane in brass and iron which was heated at 850�C

1990-1996
Sample of Mokumegane in fine silver, shibuishi and gilding metal which was heated at 600°C and suspended in ammonia vapour. Made by Dr Ian Ferguson at the Royal College of Art, 1990-1996.

Sample of Mokumegane in fine silver

1990-1996
Sample of Mokumegane in shibuishi and bronze which was heated at 600°C and suspended in ammonia vapour. Made by Dr Ian Ferguson at the Royal College of Art, 1990-1996.

Sample of Mokumegane in shibuishi and bronze

1990-1996
Sample of Mokumegane in shibuishi and copper which was heated at 600°C and suspended in ammonia vapour. Made by Dr Ian Ferguson at the Royal College of Art, 1990-1996.

Sample of Mokumegane in shibuishi and copper

1990-1996
Sample of Mokumegane in sterling silver and iron which was heated at 800°C to produce this natural finish. Made by Dr Ian Ferguson at the Royal College of Art, 1990-1996.

Sample of Mokumegane in sterling silver and iron

1990-1996
Sample of Mokumegane in brass and stainless steel which was heated at 850°C to induce interference colours, plus hot solution of copper sulphate and ammonia. Made by Dr Ian Ferguson at the Royal College of Art, 1990-1996.

Sample of Mokumegane in brass and stainless steel

1990-1996
Sample of Mokumegane in brass and nickel silver which was heated at 850°C, also using a hot solution of copper sulphate and ammonia. Made by Dr Ian Ferguson at the Royal College of Art, 1990-1996.

Sample of Mokumegane in brass and nickel silver which was heated at 850°C

1990-1996
Sample of Mokumegane in fine silver and shakudo (a Japanese metal comprising 4-5% gold in copper) which was heated at 600°C, also using molten potassium nitrate. Made by Dr Ian Ferguson at the Royal College of Art, 1990-1996.

Mokume gane in silver and shakudo

1990-1996
Sample of Mokumegane in sterling and nickel silver which was heated at 750°C, also using a boiling solution of copper sulphate and sodium chlorate. Made by Dr Ian Ferguson at the Royal College of Art, 1990-1996.

Mokumegane in sterling and nickel silver

1990-1996
Sample of Mokumegane in sterling silver and shibuishi, which was heated at 600°C and suspended in ammonia vapour. Made by Dr Ian Ferguson at the Royal College of Art, 1990-1996.

Mokume gane in sterling silver and shibuishi

1990-1996
Sample of Mokumegane in fine silver and shibuishi (Japanese metal comprising 67% copper, 33% silver, plus gilding metal; spotted effect). This was heated at 600°C to give a natural finish. Made by Dr Ian Ferguson at the Royal College of Art, 1990-1996.

Mokume gane in silver and shibuishi

1990-1996