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Fourth of a series of eight stapled loose pages written by Tony Ray-Jones on headed notepaper. The first page is entitled headed 'Towards a photography.' In the text he questions his place within photography, and his approach. Ballpoint pen on paper, c. 1967

Towards a photography, page 4

1965
Loose page written by Tony Ray-Jones headed 'A problem with photography...' In the text he explores his ideas about photography . This is the reverse of 1991-5033/3/237. Ballpoint pen on paper, c. 1967

'A problem with photography...' loose page of notes

circa 1967
Loose page written by Tony Ray-Jones headed 'Should it be a single photo or a photo story' In the text he explores his ideas about photography. Ray-Jones writes that the image should 'delight, mystify or shock...it has to sustain his attention' Ballpoint pen on paper, c. 1967

Should it be a single photo or a photo story...

circa 1967
Single loose page written by Tony Ray-Jones headed 'Teds'. Ray-Jones outlines some thoughts about youth culture for his project on the English. Ballpoint pen on paper, c.1967

'Teds' loose page

circa 1967
Loose page written by Tony Ray-Jones headed 'N - Z of resorts'. Ray-Jones wrote lists for research for his project to photograph the English. Pen on paper, c.1968 The reverse of this sheet is 1991-5033/3/246

N - Z of resorts

circa 1968
Single loose page written by Tony Ray-Jones headed 'The English Seaside booklist'. Ray-Jones wote lists for research for his project to photograph the English. Pen on paper, c.1968

The English Seaside booklist

circa 1968
Single loose page written by Tony Ray-Jones headed 'The English Seaside'. Ray-Jones lists books relating to the seaside. Pen on paper, c.1968

The English Seaside

circa 1968
First of a series of eight stapled loose pages written by Tony Ray-Jones on headed notepaper. The page is entitled headed 'Towards a photography.' In the text he questions his place within photography, and his approach. Ballpoint pen on paper, c. 1967

Towards a photography, page 1

1965
Loose page written by Tony Ray-Jones headed 'Something may cause the photographer...' In the text he explores his ideas about the photographer's eye 'carousing the scene dwelling on nothing long - looking for relationships - symbolic or humerous (sic)' . This is the reverse of 1991-5033/3/236 Ballpoint pen on paper, c. 1967

Something may cause the photographer...

circa 1967
Sixth of a series of eight stapled loose pages written by Tony Ray-Jones on headed notepaper. The first page is entitled headed 'Towards a photography.' In the text he questions his place within photography, and his approach. Ballpoint pen on paper, c. 1967

Towards a photography, page 6

1965
Second of a series of eight stapled loose pages written by Tony Ray-Jones on headed notepaper. The first page is entitled headed 'Towards a photography.' In the text he questions his place within photography, and his approach. Ballpoint pen on paper, c. 1967

Towards a photography, page 2

1965
Loose page written by Tony Ray-Jones headed 'A - M of resorts'. Ray-Jones wote lists for research for his project to photograph the English. Pen on paper, c.1968 The reverse of this sheet is 1991-5033/3/247

A - M of resorts

circa 1968
Single loose page written by Tony Ray-Jones listing English counties, and their resorts. This loose page is part of Ray-Jones's planning for his project on the Enlish at leisure. Ballpoint pen on paper, 1967-68

List of county names and resort locations, loose page

1967-1968
Third of a series of eight stapled loose pages written by Tony Ray-Jones on headed notepaper. The first page is entitled headed 'Towards a photography.' In the text he questions his place within photography, and his approach. Ballpoint pen on paper, c. 1967

Towards a photography, page 3

1965
Fifth of a series of eight stapled loose pages written by Tony Ray-Jones on headed notepaper. The first page is entitled headed 'Towards a photography.' In the text he questions his place within photography, and his approach. Ballpoint pen on paper, c. 1967

Towards a photography, page 5

1965
Single loose page written by Tony Ray-Jones headed 'Plan for Exhibit'. Ray-Jones sketches and outlines his ideas for an exhibition of his work. Pen on paper, c.1968 The reverse of this sheet is 1991-5033/3/243

Plan for Exhibit

circa 1968
Eighth of a series of eight stapled loose pages written by Tony Ray-Jones on headed notepaper. The first page is entitled headed 'Towards a photography.' In the text he questions his place within photography, and his approach. Ballpoint pen on paper, c. 1967

Towards a photography, page 8

1965
Single loose page written by Tony Ray-Jones headed 'Book Plan'. Ray-Jones lists publishers, people to see, galleries and other contacts that might assist him in producing a publication. Pen on paper, c.1968 The reverse of this sheet is 1991-5033/3/244

Book Plan

circa 1968
Single loose page written by Tony Ray-Jones entitled 'Dates of events in resorts'. Ray-Jones wote lists for research for his project to photograph the English. Pen on paper, c.1968

Dates of events in resorts

circa 1968
Single loose page written by Tony Ray-Jones headed 'Books to read'. They relate to English and British society and pastimes. Ballpoint pen on headed note paper, May 25, 1965.

Books to read

1965
Single loose page written by Tony Ray-Jones headed 'Other essays for book'. Ray-Jones outlines some ideas for essays in his proposed book on the English. Ballpoint pen on paper, c.1967

Other essays for book

circa 1967
Seventh of a series of eight stapled loose pages written by Tony Ray-Jones on headed notepaper. The first page is entitled headed 'Towards a photography.' In the text he questions his place within photography, and his approach. Ballpoint pen on paper, c. 1967

Towards a photography, page 7

1965
Single loose page from a notebook written by Tony Ray-Jones headed 'The number of socially committed photographers is practically nil...'. . Ballpoint pen on headed note paper, May 25, 1965.

The number of socially committed photographers is practically nil...

1965