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Four Portfolios of Carbon Prints by Alexander Keighley

90 mounted carbon prints, in 4 portfolios, by Alexander Keighley. Exhibited 1924-1947.

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Collegiate Church, Varello

A photograph entitled 'An Eastern Parlour, Damascus', by Alexander Keighley. Carbon print, signed on the bottom of the image, undated.

An Eastern Parlour, Damascus

A photograph entitled 'Adieu', taken by Alexander Keighley in 1903. Carbon print, signed on the lower left hand side of the image.

Adieu

1903
A photograph entitled 'The Vesper Bell', taken by Alexander Keighley. Carbon print, signed in the bottom left hand corner of the image and with the title handwritten on the reverse of the support. Undated.

The Vesper Bell

A photograph entitled 'The Turnip Field', taken by Alexander Keighley in about 1924. Carbon print, unsigned. Exhibition plates dated 1924-1928 have been applied to the reverse.

The Turnip Field

circa 1924
A photograph entitled 'Milking Time', taken by Alexander Keighley in about 1944. Carbon print signed on the front. Exhibition plates from Edinburgh and Nottingham Photographic Societies 1944-1945, have been attached to the reverse.

Milking Time

circa 1944
A photograph entitled 'Oxen at the Gate', taken by Alexander Keighley. Carbon print signed in the bottom right hand corner of the image, undated.

Oxen at the Gate

A photograph entitled 'Grace Before Meat', taken by Alexander Keighley, 1901. Carbon Print, signed on front of image, title written on reverse.

Grace Before Meat

1901
A photograph entitled 'At the Palace Gate', taken by Alexander Keighley. Carbon print, unsigned, undated.

At The Palace Gate

A photograph entitled 'The Bent Olive', taken by Alexander Keighley. Carbon print, unsigned, undated.

The Bent Olive

A photograph entitled "Peillon", taken by Alexander Keighley. Carbon print, signed, undated.

Peillon

A photograph entitled 'A Spring Idyll', taken by Alexander Keighley in about 1905. Carbon print, signed.

A Spring Idyll

1905
A photograph entitled 'Afterglow, Sicily', taken by Alexander Keighley in about 1928. Carbon print, signed. Exhibition plates from Buenos Aires, Preston and Hampshire House dated 1928-1930, have been attached to the reverse.

Afterglow, Sicily

circa 1928
A photograph entitled 'The Barge', taken by Alexander Keighley. Carbon print, unsigned, undated.

The Barge

A photograph entitled 'The Inner Gate', taken by Alexander Keighley. Carbon print, unsigned, undated.

The Inner Gate

A photograph entitled 'The Expected Guest', taken by Alexander Keighley. Carbon print, unsigned, undated.

The Expected Guest

A photograph entitled 'The Yoke', taken by Alexander Keighley. Carbon print with handwritten title inscribed on the reverse, unsigned, undated.

The Yoke

A photograph entitled 'The Old Bridge, Stirling', taken by Alexander Keighley, in about 1933. Carbon print signed on the bottom left hand side of the image. Exhibition plates from Bradford, Rugby and Scarborough dating from 1933-1936 have been attached to the reverse.

The Old Bridge Stirling

circa 1933
A photograph entitled 'Bridge & Alcazar Toledo', taken by Alexander Keighley in 1937 in Spain. Carbon print, signed. Exhibition plates from London, Preston and Birmingham, dated 1937-1939 have been attached to the reverse.

Bridge & Alcazar Toledo

circa 1937
A photograph entitled 'A Castle in Spain', taken by Alexander Keighley between 1935 and 1946. Carbon print, unsigned. Exhibition plates from Nottingham, Preston and South Shields, dating from 1946-1947, have been applied to the reverse.

A Castle in Spain

circa 1946
A photograph entitled 'The Cottage in the Grove', taken by Alexander Keighley. Carbon print, handwritten title has been inscribed on the reverse of the support, unsigned, undated.

The Cottage In The Grove

A photograph entitled 'The Dove Cote', taken by Alexander Keighley, possibly in the grounds of his home, High Hall, Steeton, near Keighley, West Yorkshire. Carbon print with a handwritten title inscribed on the reverse, unsigned, undated.

The Dove Cote

"The chasm", signed. Exhibition plates 1929-39

The Chasm

circa 1929
A photograph entitled 'The Old Cloister', taken by Alexander Keighley in 1942. Carbon print, signed on the front of the print, undated.

The Old Cloister

1942
A photograph entitled 'The City of Beautiful Towers', taken by Alexander Keighley. Carbon print, signed in the bottom left hand corner of the image.

The City of Beautiful Towers

A photograph entitled 'The Market Boat", taken by Alexander Keighley. Carbon print, unsigned, undated.

The Market Boat

Photograph entitled 'The White Sail', taken by Alexander Keighley in 1901. Carbon print, unsigned, undated.

The White Sail

1901
A photograph entitled 'The Monastery', taken by Alexander Keighley. Carbon print, unsigned, undated.

The Monastery

A photograph entitled 'Sunshine Jazz, Morocco', taken by Alexander Keighley in about 1934. Carbon print, unsigned. Exhibition plates from Manchester, Nottingham and Birmingham dated 1934-1936 have been applied to the reverse.

Sunshine Jazz, Morocco

circa 1934
A photograph entitled 'The Sheik', taken by Alexander Keighley. Carbon print, signed, undated.

The Sheik

"A bridge, Montenero", signed, undated

A Bridge, Montenero

"The return of the flock", signed. Exhibition plates 1929-47

The Return of the Flock

circa 1929
A photograph entitled 'To the Sacred Isle', taken by Alexander Keighley in 1933. Carbon print signed on the bottom right of the image.

To The Sacred Isle

1933
"The convent garden", signed. Exhibition plate 1945

The Convent Garden

1945
An untitled photograph taken by Alexander Keighley, depicting women washing in a river. Carbon print, trimmed.

Untitled (women washing in river)

"The secret", signed. Exhibition plate 1931

The Secret

1931
A photograph entitled 'Sunshine and Shadow', taken by Alexander Keighley in 1938. Carbon print, signed. Exhibition plate from Rugby, 1938 has been attached to the reverse.

Shadow and Sunshine

1938
"Ali Baba's cave", unsigned. Exhibition plates 1935-37

Ali Baba's Cave

circa 1935
A photograph entitled 'Narcissus' ('The Sun Bath') taken by ALexander Keighley in about 1928. Carbon print, signed. Exhibition plates dated 1928-1933 have been attached to the reverse.

Narcissus

circa 1928
A photograph entitled 'Good Friday in Spain', taken by Alexander Keighley in 1930. Carbon print, signed.

Good Friday in Spain

1930
"The womens shrine", signed. Exhibition plates 1938-47

The Women's Shrine

circa 1938
A photograph entitled 'Drifting Mist', ('Drifting Clouds'), taken by Alexander Keighley in about 1936. Carbon print, signed. Exhibition plates dated 1936-1947 have been attached to the reverse.

Drifting Mist

circa 1936
A photograph entitled 'Cathedral, Segovia', taken by Alexander Keighley in Spain. Carbon print, unsigned, undated.

Cathedral, Segovia

A photograph entitled 'Mont St. Michel', taken by Alexander Keighley in France. Carbon print, signed on the front of the image. Exhibition plates from Mountain Ash Camera Club and HHHPS, dated 1933-1935 have been attached to the reverse.

Mont St Michel

circa 1933
One of four Portfolios, that did contain 90 mounted carbon prints by Alexander Keighley. Exhibited 1924-1947. Wooden.

Portfolio

One of four Portfolios, that did contain 90 mounted carbon prints by Alexander Keighley. Exhibited 1924-1947. Wooden

Portfolio

One of four Portfolios, that did contain 90 mounted carbon prints by Alexander Keighley. Exhibited 1924-1947. Wooden.

Portfolio

A carbon print entitled 'A Derelict Moorland Farm, Haworth, Emily Bronte's 'Wuthering Heights'', by Alexander Keighley, signed, c 1930. Exhibition label on reverse dated 1931-1932.

A Derelict Moorland Farm, Haworth, Emily Bronte's 'Wuthering Heights'

1931
A photograph entitled 'Arcadia', taken by Alexander Keighley. Carbon print, unsigned, undated.

Arcadia

A photograph entitled 'The Refectory', taken by Alexander Keighley in 1928. Carbon print, signed. Exhibition plates dated 1930-1947 have been attached to the reverse.

The Refectory

circa 1930