Search our collection

Clear all filters
Image
Category
Collection
Maker
On Display
Object type
Place
Material
Date

The Day Dream

1867-1875

Close, No 80 High Street

1868

Trongate, from Tron Steeple

1868

Close, No 101 High Street

1868

Close, No 193 High Street

1868

Close, No 18 Saltmarket

1868

Laigh Kirk Close

1868

High Street, from the Cross

1868

King Street

1868

Close, No 65 High Street

1868

Old Building, High Street

1868

Close, No 31 Saltmarket

1868

Close, No 115 High Street

1868

Close, No37 High Street

1868

Close, No 28 Saltmarket

1868

Close, No 148 High Street

1868

Broad Close, No 167 High Street

1868

Beatrice Cenci

1868-1872

Collegiate Church, Varello

Head of High Street

1868

Close, No 29 Gallowgate

1868

Close, No 118 High Street

1868

Tontine Building, Trongate

1868

Old Vennel, off High Street

1868

Close, No 75 High Street

1868

High Street, from College Open

1868

Close, No 83 High Street

1868

Bell Street, from High Street

1868

Close, No 46 Saltmarket

1868

Princes Street, from King Street

1868
A carbon print entitled 'A Derelict Moorland Farm, Haworth, Emily Bronte's 'Wuthering Heights'', by Alexander Keighley, signed, c 1930. Exhibition label on reverse dated 1931-1932.

A Derelict Moorland Farm, Haworth, Emily Bronte's 'Wuthering Heights'

1931
Carbon print - on the Arun, 1903.

Carbon print - on the Arun

1903
Red, green and pale yellow glass surrounding carbon print on glass; of small child. In wooden frame.

Stained glass panel with inset photograph

Square wall tile; 155mm; with sepia carbon photograph of waterfall and bridge fired in glaze.

Ceramic tile with photograph

Carbon transfer print of old houses in Aldgate, London, by Henry Dixon. Inscription print in ink along bottom of print. Japoniste outlines around print edge. Taken for the Society for Photographing Relics of Old London. The Society for Photographing Relics of Old London (SPROL) was set up to record historical buildings threatened with demolition. There are 120 carbon prints in the series, published between 1875 and 1886.

Old Houses, Aldgate

1879-1883
Print, autotypograph, carbon print, ‘Experimental Specimens of the New Art of Autotypography’ George Wallis (1811-1891), artist, museum curator and art educator. Platemark 8.6x5.8cm laid on card 8.5x15cm. Sheet letterpress Inscribed in pencil, b.l.: ‘At Nuremberg’, b.r.: ‘Geo Wallis 1860’. Printed label affixed beneath specimen, ‘Experimental Specimen of the New Art of Autotypography (Patented). George Wallis, Inventor and Patentee. Drawing executed in...45 minutes, Plate engraved in one second’, with explanation of the process as patented. Autotypograph and label are the only two held here, other items are at this number, specimens illustrating the autotypographic process: Artist's drawings, engraved plate prints and transfers to pottery (‘Bat’ process). These items stamped Woodcroft Bequest 1903, inked M1509B, presented by George Wallis to Mechanics Division 1877. Wallis was Keeper of South Kensington Museum, see file papers.

Autotypograph, experimental speciman by George Wallis, 1860

1860
Lantern slides, (three) hand-colored carbon transfer prints, by Alexander Keighley. Views of Egypt. In wooden case, with lecture notes, 'Impressions of Egypt'. Incomplete.

Lantern slides, Views of Egypt

"The chasm", signed. Exhibition plates 1929-39

The Chasm

circa 1929
"A bridge, Montenero", signed, undated

A Bridge, Montenero

"The return of the flock", signed. Exhibition plates 1929-47

The Return of the Flock

circa 1929
"The convent garden", signed. Exhibition plate 1945

The Convent Garden

1945
"The secret", signed. Exhibition plate 1931

The Secret

1931
"Ali Baba's cave", unsigned. Exhibition plates 1935-37

Ali Baba's Cave

circa 1935
"The womens shrine", signed. Exhibition plates 1938-47

The Women's Shrine

circa 1938
90 mounted carbon prints, in 4 portfolios, by Alexander Keighley. Exhibited 1924-1947.

Four Portfolios of Carbon Prints by Alexander Keighley

1924-1947
Series of portraits made by Swan's Carbon process, in glazed frame.

Series of portraits made by Swan's Carbon process

A photograph entitled "Peillon", taken by Alexander Keighley. Carbon print, signed, undated.

Peillon

A photograph entitled 'Grace Before Meat', taken by Alexander Keighley, 1901. Carbon Print, signed on front of image, title written on reverse.

Grace Before Meat

1901
A photograph entitled 'Adieu', taken by Alexander Keighley in 1903. Carbon print, signed on the lower left hand side of the image.

Adieu

1903
A photograph entitled 'Mont St. Michel', taken by Alexander Keighley in France. Carbon print, signed on the front of the image. Exhibition plates from Mountain Ash Camera Club and HHHPS, dated 1933-1935 have been attached to the reverse.

Mont St Michel

circa 1933