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The Day Dream

1867-1875

Close, No 80 High Street

1868

Trongate, from Tron Steeple

1868

Close, No 101 High Street

1868

Close, No 193 High Street

1868

Close, No 18 Saltmarket

1868

Laigh Kirk Close

1868

High Street, from the Cross

1868

King Street

1868

Close, No 65 High Street

1868

Old Building, High Street

1868

Close, No 31 Saltmarket

1868

Close, No 115 High Street

1868

Close, No37 High Street

1868

Close, No 28 Saltmarket

1868

Close, No 148 High Street

1868

Broad Close, No 167 High Street

1868

Head of High Street

1868

Close, No 29 Gallowgate

1868

Close, No 118 High Street

1868

Tontine Building, Trongate

1868

Old Vennel, off High Street

1868

Close, No 75 High Street

1868

High Street, from College Open

1868

Close, No 83 High Street

1868

Bell Street, from High Street

1868

Close, No 46 Saltmarket

1868

Princes Street, from King Street

1868

Beatrice Cenci

1868-1872

Collegiate Church, Varello

A carbon print entitled 'A Derelict Moorland Farm, Haworth, Emily Bronte's 'Wuthering Heights'', by Alexander Keighley, signed, c 1930. Exhibition label on reverse dated 1931-1932.

A Derelict Moorland Farm, Haworth, Emily Bronte's 'Wuthering Heights'

1931
Lantern slides, (three) hand-colored carbon transfer prints, by Alexander Keighley. Views of Egypt. In wooden case, with lecture notes, 'Impressions of Egypt'. Incomplete.

Lantern slides, Views of Egypt

"The chasm", signed. Exhibition plates 1929-39

The Chasm

circa 1929
"A bridge, Montenero", signed, undated

A Bridge, Montenero

"The return of the flock", signed. Exhibition plates 1929-47

The Return of the Flock

circa 1929
"The convent garden", signed. Exhibition plate 1945

The Convent Garden

1945
"The secret", signed. Exhibition plate 1931

The Secret

1931
"Ali Baba's cave", unsigned. Exhibition plates 1935-37

Ali Baba's Cave

circa 1935
"The womens shrine", signed. Exhibition plates 1938-47

The Women's Shrine

circa 1938
90 mounted carbon prints, in 4 portfolios, by Alexander Keighley. Exhibited 1924-1947.

Four Portfolios of Carbon Prints by Alexander Keighley

1924-1947
Series of portraits made by Swan's Carbon process, in glazed frame.

Series of portraits made by Swan's Carbon process

Carbon print - on the Arun, 1903.

Carbon print - on the Arun

1903
Red, green and pale yellow glass surrounding carbon print on glass; of small child. In wooden frame.

Stained glass panel with inset photograph

Square wall tile; 155mm; with sepia carbon photograph of waterfall and bridge fired in glaze.

Ceramic tile with photograph

A photograph entitled "Peillon", taken by Alexander Keighley. Carbon print, signed, undated.

Peillon

A photograph entitled 'Grace Before Meat', taken by Alexander Keighley, 1901. Carbon Print, signed on front of image, title written on reverse.

Grace Before Meat

1901
A photograph entitled 'Adieu', taken by Alexander Keighley in 1903. Carbon print, signed on the lower left hand side of the image.

Adieu

1903
A photograph entitled 'The City of Beautiful Towers', taken by Alexander Keighley. Carbon print, signed in the bottom left hand corner of the image.

The City of Beautiful Towers

Photograph entitled 'The White Sail', taken by Alexander Keighley in 1901. Carbon print, unsigned, undated.

The White Sail

1901
A photograph entitled 'Milking Time', taken by Alexander Keighley in about 1944. Carbon print signed on the front. Exhibition plates from Edinburgh and Nottingham Photographic Societies 1944-1945, have been attached to the reverse.

Milking Time

circa 1944