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A photograph entitled 'The City of Beautiful Towers', taken by Alexander Keighley. Carbon print, signed in the bottom left hand corner of the image.

The City of Beautiful Towers

Photograph entitled 'The White Sail', taken by Alexander Keighley in 1901. Carbon print, unsigned, undated.

The White Sail

1901

A photograph entitled 'Milking Time', taken by Alexander Keighley in about 1944. Carbon print signed on the front. Exhibition plates from Edinburgh and Nottingham Photographic Societies 1944-1945, have been attached to the reverse.

Milking Time

circa 1944

A photograph entitled 'A Spring Idyll', taken by Alexander Keighley in about 1905. Carbon print, signed.

A Spring Idyll

1905

A photograph entitled 'Cathedral, Segovia', taken by Alexander Keighley in Spain. Carbon print, unsigned, undated.

Cathedral, Segovia

A photograph entitled 'Bridge & Alcazar Toledo', taken by Alexander Keighley in 1937 in Spain. Carbon print, signed. Exhibition plates from London, Preston and Birmingham, dated 1937-1939 have been attached to the reverse.

Bridge & Alcazar Toledo

circa 1937

A photograph entitled 'The Old Cloister', taken by Alexander Keighley in 1942. Carbon print, signed on the front of the print, undated.

The Old Cloister

1942

A photograph entitled 'The Vesper Bell', taken by Alexander Keighley. Carbon print, signed in the bottom left hand corner of the image and with the title handwritten on the reverse of the support. Undated.

The Vesper Bell

A photograph entitled 'The Old Bridge, Stirling', taken by Alexander Keighley, in about 1933. Carbon print signed on the bottom left hand side of the image. Exhibition plates from Bradford, Rugby and Scarborough dating from 1933-1936 have been attached to the reverse.

The Old Bridge Stirling

circa 1933

A photograph entitled 'The Barge', taken by Alexander Keighley. Carbon print, unsigned, undated.

The Barge

A photograph entitled 'The Inner Gate', taken by Alexander Keighley. Carbon print, unsigned, undated.

The Inner Gate

A photograph entitled 'Sunshine and Shadow', taken by Alexander Keighley in 1938. Carbon print, signed. Exhibition plate from Rugby, 1938 has been attached to the reverse.

Shadow and Sunshine

1938

A photograph entitled 'Good Friday in Spain', taken by Alexander Keighley in 1930. Carbon print, signed.

Good Friday in Spain

1930

A photograph entitled 'A Castle in Spain', taken by Alexander Keighley between 1935 and 1946. Carbon print, unsigned. Exhibition plates from Nottingham, Preston and South Shields, dating from 1946-1947, have been applied to the reverse.

A Castle in Spain

circa 1946

A photograph entitled 'The Expected Guest', taken by Alexander Keighley. Carbon print, unsigned, undated.

The Expected Guest

Mounted, carbon print entitled 'The Inner Gate' by Alexander Keighley, about 1930. Exhibited between 1936 and 1939, exhibition labels on reverse together with moulded brass exhibition seal on reverse 'Baltimore International Salon of Photography 1938'.

The Inner Gate

1920-1936

A photograph entitled 'The Bent Olive', taken by Alexander Keighley. Carbon print, unsigned, undated.

The Bent Olive

A photograph entitled 'The Sheik', taken by Alexander Keighley. Carbon print, signed, undated.

The Sheik

A photograph entitled 'To the Sacred Isle', taken by Alexander Keighley in 1933. Carbon print signed on the bottom right of the image.

To The Sacred Isle

1933

A photograph entitled 'Drifting Mist', ('Drifting Clouds'), taken by Alexander Keighley in about 1936. Carbon print, signed. Exhibition plates dated 1936-1947 have been attached to the reverse.

Drifting Mist

circa 1936

A photograph entitled 'Afterglow, Sicily', taken by Alexander Keighley in about 1928. Carbon print, signed. Exhibition plates from Buenos Aires, Preston and Hampshire House dated 1928-1930, have been attached to the reverse.

Afterglow, Sicily

circa 1928

A photograph entitled 'The Turnip Field', taken by Alexander Keighley in about 1924. Carbon print, unsigned. Exhibition plates dated 1924-1928 have been applied to the reverse.

The Turnip Field

circa 1924

Carbon print entitled 'Espalion' by Alexander Keighley, showing a characteristic street scene with balconies and attic windows. This print was sold by the Photographic Union on 12 November 1949. The 'Conditions of Sale' are noted on the reverse and are signed and dated by the buyer M G Briers(?). The Photographic Union held Alexander Keighley's work after his death in 1947 and continued to sell his work.

Espalion

1930s

A photograph entitled 'An Eastern Parlour, Damascus', by Alexander Keighley. Carbon print, signed on the bottom of the image, undated.

An Eastern Parlour, Damascus

A photograph entitled 'The Market Boat", taken by Alexander Keighley. Carbon print, unsigned, undated.

The Market Boat

A photograph entitled 'The Monastery', taken by Alexander Keighley. Carbon print, unsigned, undated.

The Monastery

An untitled photograph taken by Alexander Keighley, depicting women washing in a river. Carbon print, trimmed.

Untitled (women washing in river)

A photograph entitled 'The Yoke', taken by Alexander Keighley. Carbon print with handwritten title inscribed on the reverse, unsigned, undated.

The Yoke

A photograph entitled 'The Dove Cote', taken by Alexander Keighley, possibly in the grounds of his home, High Hall, Steeton, near Keighley, West Yorkshire. Carbon print with a handwritten title inscribed on the reverse, unsigned, undated.

The Dove Cote

A photograph entitled 'At the Palace Gate', taken by Alexander Keighley. Carbon print, unsigned, undated.

At The Palace Gate

A photograph entitled 'The Cottage in the Grove', taken by Alexander Keighley. Carbon print, handwritten title has been inscribed on the reverse of the support, unsigned, undated.

The Cottage In The Grove

A photograph entitled 'Sunshine Jazz, Morocco', taken by Alexander Keighley in about 1934. Carbon print, unsigned. Exhibition plates from Manchester, Nottingham and Birmingham dated 1934-1936 have been applied to the reverse.

Sunshine Jazz, Morocco

circa 1934

A photograph entitled 'Narcissus' ('The Sun Bath') taken by ALexander Keighley in about 1928. Carbon print, signed. Exhibition plates dated 1928-1933 have been attached to the reverse.

Narcissus

circa 1928

A photograph entitled 'Oxen at the Gate', taken by Alexander Keighley. Carbon print signed in the bottom right hand corner of the image, undated.

Oxen at the Gate

"Damascus Gate, Jerusalem", signed, undated

Damascus Gate, Jerusalem

"The ox carts", signed. Exhibition plates 1929-44

The Ox Carts

circa 1929

"The water cart", signed, undated

The Water Cart

"A mountain village, Italy", signed, undated

A Mountain Village, Italy

'Crossing the bridge', signed. Exhibition plates 1931

Crossing the Bridge

1931

"The castle on the rock", signed, undated

The Castle on the Rock

"Gordaie scar, Malham from above", signed

Gordale Scar, Malham From Above

Book entitled `Calotypes' by D O Hill and R Adamson, 'Illustrating an Early Stage in the Development of Photography'selected by Andrew Elliott (Edinburgh, 1928). Copy No.6 of the 38-copy limited edi tion. Contains 47 illustrations.

Book entitled `Calotypes' by Hill and Adamson

1929

Carbon print by Fred Judge, "Glory", undated (c1905)

Glory

circa 1905

Photographic portrait (sepia carbon print) of P G Salt by Birt Acres, c. 1890.

Portrait of G P Salt

circa 1890

A photograph (carbon print) of a cloudscape taken in North Devon by Birt Acres, 1891.

Cloudscape, North Devon

1891

Square wall tile; 155mm; with sepia photograph of river in wooded gorge fired in glaze; carbon print.

Ceramic tile with photograph

111x166mm ceramic; fired-in carbon picture of baby on fur covered chair.

Photoceramic tile of young child

225mm diameter white plate with perforated edge; moulded decoration of cherubs, scrolls etc; 100mm diameter blue-black carbon print of young girl; label on back reads: "This picture is not burnt in. It is made by the carbon process and will not fade…For better protection against abrasion it is coated with transparent varnish..."

Plate with applied carbon photograph

Framed blue-toned carbon print by Herbert Ponting 'TERRA NOVA ICEBOUND', c 1910. With blind stamped signature.

Terra Nova Icebound

circa 1910

Book: 'Glasgow City Improvement Trust; photographs of old closes, streets etc. taken 1868-1877'. Contains 40 carbon photographs by Thomas Annan.

Glasgow City Improvement Trust; photographs of old closes, streets etc. taken 1868-1877

1868-1877

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