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Isaacvs Newtonus

1868

Joseph Wright

1807

Mr Thomas Mudge

1772

Marc Isambard Brunel

1815

John Heathcoat

1840-1849

Ioannes Guilielmus Weinmannus

1737

The Reverend William Buckland, D.D. F.R.S.

1833

Isambard Kingdom Brunel

1858

Sir Henry De la Beche V.P.R.S.

1848

Marc Isambard Brunel

1815

Erasmus Darwin

1797

Samuel Cousins

1884

Samuel Christian Hollman

1745

Edward Daniel Clarke

1811

James Watt

1815

Print, mezzotint, William Chapman

1844

Portrait of Sir John Herschel, c. 1852

circa 1852

Henry Bell

1860-1869

Portrait of A F Yarrow by Hugh G Riviere

Robert Stephenson, M.P. and the most celebrated engineers raising the tubular bridge

1858

The appearance of the total solar eclipse from Haradon Hill near Salisbury

1724
Mezzotint, engraved by Samuel Cousins after F. Winterhalter, republished by Thomas Boys on 15 February 1853, of Queen Victoria and Albert Prince Consort with their family

Queen Victoria and Albert Prince Consort with their family

1853
Portrait: William Fairbairn (1789-1874). Proof mezzotint by T.O. Barlow after P. Westcott (in the Institution of Civil Engineers London), published by Agnew and Sons, Manchester, 1862. Print, mezzotint 88.5x59.5cm., platemark 50.4x38.2cm., image 40.2x30.2cm. Inscribed in ink, b.r: C J S Walker Esquire/Inscription Copy. - Printsellers Association stamp on plate area b.r.: STX. Portrait, TQL standing slightly to R. by table, looking front; eyeglass in l. hand; r. hand resting on sectional drawing of Conwy Tubular Bridge; other plans rolled on armchair behind; l., on drawing, letter from sitter to Robert Stephenson

William Fairbairn

1862
Mezzotint: portrait, Thomas Norris Esqre FRAS, painted and engraved by John Linnell, 1837; Signed in the plate, b.l. : J LINNELL F 1837. - Signed in ink on support below image, b.l. : Thos. Norris Portrait, TQL seated to R, looking front; beside table with open book; holding a lens for a telescope in his left hand; a closed book, and a telescope, propped upon a chair, b.l.; background wall above mantelpiece, two of Linnell's own landscape paintings featured

Mezzotint: portrait

1837
Print, engraving, stipple and mezzotint: Opening of the Great Exhibition of All Nations by Her Majesty Queen Victoria 1851by Samuel Bellin, after the oil by H.C. Selous, published by Thomas Boys 407 Oxford Street, 1856. Image 74.5x105cm in platemark [sight] 84.5x108.7cm on sheet [sight] 85x112cm in frame 95.5x122.5x3cm. The official painting of the opening ceremony. - Placed against background of North Transept of Crystal Palace. Original by Selous in Victoria and Albert Museum.

Opening of the Great Exhibition of All Nations

1856