Articles and notes on the history and development of colour cinematography, 1907-1925. Part of Charles Urban Archive.
6 negative strips: a Pathéscope title screen, a man and a woman stood together, a group of men wearing hats, a person wearing naval uniform, people standing in a line, and a Victor Safety Film Corporation title screen. With a business card for Victor Animatograph Company.
Hole punched page containing eight strips of film. The page is titled 'Ordinary film'.
Hole punched page containing eight strips of film. A handwritten note on the page reads 'All chemically dyed or tinted films fade after being through machine several times. No permanent colors possible'.
Hole punched page containing nine strips of film. There are various handwritten notes on the page including the titles 'Kinemacolor Co of America', 'Friese-Green' and 'Prizma'.
Hole punched page containing nine strips of film. The page is titled 'All have proven commercially unsuccessful'.
Hole punched page containing ten strips of film. The page is titled 'Prizma Color'.
Hole punched page containing five strips of film. The page is titled 'Urban Color'.
Strip of negatives, colour, content unknown.
Two photographs on piece of card showing a camera with lamphouse projector.
Strip of film showing images of a child stood in front of a wall.
Three negatives, one black and white without staining, two ready stained for colour projection without fillers.
