Two fabric samples, Soledon direct dyeing, 1931. Part of the Morton Collection.
Collection of samples of "ground effects" on engraved rollers
Samples - effect of dry-cleaning on permanent glaze finish, 1938. Part of the Morton Collection.
Card - piece dyeing of Solway Green on wool, 1924. Part of the Morton Collection.
Sample of fabric for Burberrys. Part of the Morton Collection.
Card - sample of Caledon dyes on wool and cotton, 1922. Part of the Morton Collection.
Ten envelopes of wools dyed with Sundour dyes. Part of the Morton Collection.
62 pre-Soledon dyed wool samples on wooden spindles. Part of the Morton Collection.
Samples of vat dyeing on silk yarn. Part of the Morton Collection.
Light fastness test card, 1912-1916. Part of the Morton Collection.
Red and blue carpet sample from 10th March 1934
10th March 1934
One hawk of dyed Scots tapestry wool
Envelope - Sundour dyeings on wool, with notes. Part of the Morton Collection.
Bundle of samples and notes - Denton process, 1905-1911. Part of the Morton Collection.
Samples and related correspondence - 'Tynecastle' wallcloths made by Scott Morton and Company, Edinburgh, c. 1905. Part of the Morton Collection.
Bundle of samples and correspondence on regarding engraved rollers, 1923. Part of the Morton Collection.
Letter from Wilson of Imperial Chemical Industries (ICI) to James Morton. Caledon samples for Faraday exhibition, 1931. Part of the Morton Collection.
Three silk skeins and one cotton skein dyed with mauveine
Cotton items treated with "Pyrovatex CP" flame retardant
Sample of colour discharges on wool, with letter from Jim Jones, Chemist for Morton Sundour Fabrics, 1927. Part of the Morton Collection.
39 miscellaneous dyeings from various sources - early Solway Blue, competitor's products, etc., 1914-1928. Part of the Morton Collection.
Seven fastness test cards for acetate dyeing, 1924. Part of the Morton Collection.
Collection of eighty samples of dyed wools. Part of the Morton Collection.
Two dyed fabric samples, part of Morton Collection, 1906.
Dyed textile samples showing the chemical structures of dyes. Part of the Morton Collection.
Collection of samples, correspondence, etc., on Solway Dyes, 1919-1930. Part of the Morton Collection.
Samples and notes - use of 'Velan' as a 'resist,' 1938. Part of the Morton Collection.
Letter and sample from J. Bancroft, Delaware U.S., on textile printing, 1926. Part of the Morton Collection.
Samples and correspondence - artificial shadow tissue effect by S.H. Sharp and Sons, Leeds, 1918. Part of Morton Collection.
Bundle of samples and correspondence - 'Tinto' wallcoverings, 1920-1930. Part of the Morton Collection.
Three folders of samples and notes on Soledon processing, 1926. Part of the Morton Collection.
Folder - 'Sand' (dyeing) programme with notes and samples, 1928-1929. Part of the Morton Collection.
Samples and correspondence on 'Cut-out Velvet' wallcovering (made in U.S.), 1934. Part of the Morton Collection.
Silk Fabric Dyed with Mauveine of a Pattern Supplied to Queen Victoria
circa 1860
Five early specimen mordanted cloth dyed with alizarin
Collection of 21 dyed fabrics ICI
Three early alizarin dyeings on mordanted cloth
6 dye-test specimens. Laboratory test-pieces showing washing test
Specimen of silk dyed with Picric acid
Polychromatic dyeing
Box containing samples of Wallcloth, with related correspondence. Part of the Morton Collection.
Sample green piece - dyed cloth, dyed by Ferguson Bros, 1913. Part of the Morton Collection.
Samples of Jade Green book fabric (Cockerell press) as used in book bindings for George Bernard Shaw publications, 1930. Part of the Morton Collection.
Collection of bookcloth samples, 1930-1950. Part of the Morton Collection.
Sample of woven wool showing original idea of the “raised effect”
1893
Bundle of fabric swatches, Sundour Guaranteed Unfadable
‘Val Dyes on Wool, Series B3’. Oct 1929
Oct 1929