Samples and related correspondence - 'Tynecastle' wallcloths made by Scott Morton and Company, Edinburgh, c. 1905. Part of the Morton Collection.
Bundle of samples and correspondence on regarding engraved rollers, 1923. Part of the Morton Collection.
Letter from Wilson of Imperial Chemical Industries (ICI) to James Morton. Caledon samples for Faraday exhibition, 1931. Part of the Morton Collection.
Collection of samples, correspondence, etc., on Solway Dyes, 1919-1930. Part of the Morton Collection.
Sample of colour discharges on wool, with letter from Jim Jones, Chemist for Morton Sundour Fabrics, 1927. Part of the Morton Collection.
39 miscellaneous dyeings from various sources - early Solway Blue, competitor's products, etc., 1914-1928. Part of the Morton Collection.
Letter and sample from J. Bancroft, Delaware U.S., on textile printing, 1926. Part of the Morton Collection.
Samples and correspondence - artificial shadow tissue effect by S.H. Sharp and Sons, Leeds, 1918. Part of Morton Collection.
Samples and correspondence on 'Cut-out Velvet' wallcovering (made in U.S.), 1934. Part of the Morton Collection.
Bundle of samples and correspondence - 'Tinto' wallcoverings, 1920-1930. Part of the Morton Collection.
Sample of woven wool showing original idea of the “raised effect”, made in c. 1893, which in 1898 developed into “Goyne” velvet and various imitations in Yorkshire, Germany etc. Sample of woven wool showing original idea of the “raised effect” 1893
Box containing samples of Wallcloth, with related correspondence. Part of the Morton Collection. Box containing samples of Wallcloth, with related correspondence. Part of the Morton Collection.
Collection of Sundour dyeings and pattern books, 1923-1930. Part of the Morton Collection. Collection of Sundour dyeings and pattern books, 1923-1930. Part of the Morton Collection.
Sample green piece - dyed cloth, dyed by Ferguson Bros, 1913. Part of the Morton Collection. Sample green piece - dyed cloth, dyed by Ferguson Bros, 1913. Part of the Morton Collection.
Samples of Jade Green book fabric (Cockerell press) as used in book bindings for George Bernard Shaw publications, 1930. Part of the Morton Collection. Samples of Jade Green book fabric (Cockerell press) as used in book bindings for George Bernard Shaw publications, 1930. Part of the Morton Collection.
Bundle of fabric swatches, some labelled as ‘Sundour Guaranteed Unfadable’. Bundle of fabric swatches, Sundour Guaranteed Unfadable
Booklet of fabric swatches titled ‘Val Dyes on Wool, Series B3’. Oct 1929. ‘Val Dyes on Wool, Series B3’. Oct 1929 Oct 1929
Booklet of fabric swatches tied together with string and marked with A.2 in top right corner. Booklet of fabric swatches
Booklet of fabric swatches titled ‘Var Prints on Natural Silk Crepe’. May 1926. ‘Var Prints on Natural Silk Crepe’. May 1926 May 1926
Bundle of fabric swatches, some labelled as ‘Sundour Guaranteed Unfadable’. Bundle of fabric swatches, Sundour Guaranteed Unfadable
Collection of bookcloth samples, 1930-1950. Part of the Morton Collection. Collection of bookcloth samples, 1930-1950. Part of the Morton Collection.
Wool serge dyed to demonstrate mordanting, using iron mordant then dyed with alizarine (blue). Wool serge dyed to demonstrate mordanting
Wool serge dyed to demonstrate mordanting using iron mordant. Wool serge dyed to demonstrate mordanting using iron mordant
Differential dyeing shown by dress fabric, mixed nylon, before dyeing. Differential dyeing shown by dress fabric