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Copy of a Drawing 'His Portrait, Pedro Orrente', by Tessin

1847-08-31

Salt Print of Church of Holy Trinity

Diego Velasquez: Portrait of Philip IV'

1847-08-31

Calotype postiive, copy of 'The Virgin and Child', photographed by Nicolaas Henneman, about 1847.

Copy of a print 'The Virgin and Child'

The Pavillion Errected by Velasquez on the Isle of Pheasants in the River Bidasoa, for the Meeting of the courts of Spain and France, at the marriage of the Infanta Maria Teresa to Louis XIV, 1660 (1667)' calotype photographed by Nicolaas Henneman, 31 August 1847. Print 35 in 'Annals of the Artists of Spain', published by Sir William Sterling Maxwell (1818-1878) in 1848. Spainsh painter Diego Rodríguez de Silva y Velázquez (baptised 1599 - 1660) was a leading artist at the court of the Spainsh King Philip IV.

The Pavillion Errected by Velasquez on the Isle of Pheasants...

1847-08-31

Calotype, copies of four prints, photographed by William Henry Fox Talbot, 31 August 1847. Plates 28, 42, 52 and 61 in 'Annals of the Artists of Spain', published by Sir William Sterling Maxwell (1818-1878) in 1848.

Copies of four prints from 'Annals of the Artist in Spain'

1847-08-31

Negative from a calotype, hypo fixed, waxed/oiled, possibly by Talbot, William Henry Fox and Henneman, Nicolaas, Scotland, 1845

Negative from a calotype

1845

Book of prints published in 1847 by Nicolaas Henneman.

Talbotypes or sun pictures taken from the actual objects which they represent

1847

Calotype copy of a print of boys playing on a see-saw by Goya, photographed by Nicolaas Henneman, about 1845. Francisco José de Goya y Lucientes (1746-1828), Spanish painter and printmaker.

Copy of a print by Goya, Boys Playing on a See-Saw

1844-1846

Diego Velasquez: The Surrender of the Keys of Breda…1625 (From a Lithograph)', calotype photograph by Nicolaas Henneman, 31 August 1847. Plate 30 in 'Annals of the Artists of Spain', published by Sir William Sterling Maxwell (1818-1878) in 1848. Print from a trimmed negative. Spainsh painter Diego Rodríguez de Silva y Velázquez (baptised 1599 - 1660) was a leading artist at the court of the Spainsh King Philip IV.

Diego Velasquez: The Surrender of the Keys of Breda…1625 (From a Lithograph)'

1847-08-31

Pedro Perete: Portrait of Alarcon (1665)', calotype photographed by Nicolaas Henneman 31 August 1847. Inscribed '19' in pencil. Plate 19 in 'Annals of the Artists of Spain', published by Sir William Sterling Maxwell (1818-1878) in 1848. Pedro Perete (died 1639) was a Spanish painter and engraver, son of the Flemish artist Piere Perret (c 1555 - 1625).

Pedro Perete: Portrait of Alarcon (1665)'

1847-08-31

Murillo: St Francis (from an etching by Murillo)', calotype photographed by Nicolaas Henneman 31 August 1847. Printed from trimmed negative. Plate 58 in 'Annals of the Artists of Spain', published by Sir William Sterling Maxwell (1818-1878) in 1848. Spanish artist Bartolomé Esteban Murillo (1617-1682).

Murillo: St Francis (from an etching by Murillo)'

1847-08-31

Calotype copy of a print of boys playing on a see-saw by Goya, photographed by Nicolaas Henneman, about 1845. Francisco José de Goya y Lucientes (1746-1828), Spanish painter and printmaker.

Copy of a print by Goya, Boys Playing on a See-Saw

1844-1846

Francisco de Goya: Death of the Alcalde of Torrejon, on the stone seats in the bull-ring at Madrid, (from Goya's 'Trienta y tres estampas…del arte de lidiar los toros')', calotype photographed by Nicolaas Henneman 31 August 1847. Plate 65 in 'Annals of the Artists of Spain', published by Sir William Sterling Maxwell (1818-1878) in 1848. Francisco José de Goya y Lucientes (1746-1828), Spanish painter and printmaker.

Francisco de Goya: Death of the Alcalde of Torrejon

1847-08-31

Murillo: St Thomas of Villaneuva, Archbishop of Valencia, Giving Alms at the Door of his Cathedral', calotype photograph by Nicolass Henneman, 31 August 1847. Plate 44 in 'Annals of the Artists of Spain', published by Sir William Sterling Maxwell (1818-1878) in 1848. Spanish artist Bartolomé Esteban Murillo (1617-1682).

Murillo: St Thomas of Villaneuva

1847-08-31

Juan de Herrera: Palace Front', calotype photograph by Nicolaas Henneman 31 August 1847. Trimmed negative. Plate 9 in 'Annals of the Artists of Spain', published by Sir William Sterling Maxwell (1818-1878) in 1848. Juan Herrera (1530-1597) was a Spanish architect and mathematician. View of San Lorenzo El Escorial.

Juan de Herrera: Palace Front'

1847-08-31

Calotype print by Nicholaas Henneman, titled "Still Life with Dahlia".

Still Life with Dahlia

1840s

Alonso Cano: Madonna and child, calotype photograph by Nicolaas Henneman, about 1847. Spanish artist, sculptor and architect (1601-1667).

Alonso Cano: Madonna and child

1847

Diego Velasquez: The Infant Don Balthazar Carlos, Prince of Asturias', calotype photograph by Nicolaas Henneman, 31 August 1847. Plate 28 in 'Annals of the Artists of Spain', published by Sir William Sterling Maxwell (1818-1878) in 1848. Print from a trimmed negative. Spainsh painter Diego Rodríguez de Silva y Velázquez (baptised 1599 - 1660) was a leading artist at the court of the Spainsh King Philip IV.

Diego Velasquez: The Infant Don Balthazar Carlos

1847-08-31

Diego Velasquez, Portrait of the Infanta Margarita Maria (from a drawing by James R Swinton)', calotype photographed by Nicolaas Henneman, 31 August 1847. Inscribed '32' in pencil. Print 32 in 'Annals of the Artists of Spain', published by Sir William Sterling Maxwell (1818-1878) in 1848. Spainsh painter Diego Rodríguez de Silva y Velázquez (baptised 1599 - 1660) was a leading artist at the court of the Spainsh King Philip IV.

Diego Velasquez

1847-08-31

Diego Velasquez, Portrait of the Infanta Margarita Maria (from a drawing by James R Swinton)', calotype photographed by Nicolaas Henneman, 31 August 1847. Inscribed '32' in pencil. Print 32 in 'Annals of the Artists of Spain', published by Sir William Sterling Maxwell (1818-1878) in 1848. Spainsh painter Diego Rodríguez de Silva y Velázquez (baptised 1599 - 1660) was a leading artist at the court of the Spainsh King Philip IV.

Diego Velasquez

1847-08-31

Luis Tristan: Head Supposed to be his Portrait (from a Drawing by William Barclay)', calotype photograph by Nicolaas Henneman, 31 August 1847. Print from an uncropped negative. Print 11 in 'Annals of the Artists of Spain', published by Sir William Sterling Maxwell (1818-1878) in 1848. Luis Tristán de Escamilla (1586–1624), also known as Luis Rodríguez Tristán, was a Spanish painter.

Luis Tristan: Head Supposed to be his Portrait (from a Drawing by William Barclay)'

1847-08-31

Domenico Theotocopuli, 'El Greco': Portrait of his daughter (from a drawing by William Barclay)' calotype photographed by Nicolaas Henneman 31 August 1847. Domenico Theotocopuli 'El Greco' (1541-1614) Cretan-born artist active in Spain. William Barclay (1797-1859) was a British artist and miniaturist. Plate 10 in 'Annals of the Artists of Spain', published by Sir William Sterling Maxwell (1818-1878) in 1848.

Domenico Theotocopuli

1847-08-31

Calotype copy of a print 'Las Hilanderas' (The Spinners), by Velasquez, photographed by Nicolaas Henneman 31 August 1847. Spainsh painter Diego Rodríguez de Silva y Velázquez (baptised 1599 - 1660) was a leading artist at the court of the Spainsh King Philip IV.

Copy of 'Las Hilanderas' by Velasquez

1847-08-31

Juan Martinez Montanes: Santa Teresa de Jesus', calotype photograph by Nicolaas Henneman, 31 August 1847. Plate 14 in 'Annals of the Artists of Spain', published by Sir William Sterling Maxwell (1818-1878) in 1848. Juan Martínez Montañés (1568-1649), known as 'el Dios de la Madera' (the God of Wood).

Juan Martinez Montanes: Santa Teresa de Jesus'

1847-08-31

Josef de Ribera: Etching of Don Juan of Austria', calotype photographed by Nicolaas Henneman, 31 August 1847. Print 37 in 'Annals of the Artists of Spain', published by Sir William Sterling Maxwell (1818-1878) in 1848. Spanish painter and printmaker José de Ribera (1591-1652), also known as Jusepe de Ribera, Giuseppe Ribera or 'Lo Spagnoletto' (The Little Spaniard).

Josef de Ribera: Etching of Don Juan of Austria'

1847-08-31

Calotype negative, copy of 'Church of St Miguel, Guadalajara', photographed by Nicolaas Henneman, 1842. Diminished copy of a print. Pencil 'X' on recto.

Copy of 'Church of St Miguel, Guadalajara'

1847-08-31

Calotype copy of a print of boys playing at soldiers by Goya, photographed by Nicolaas Henneman, about 1845. Francisco José de Goya y Lucientes (1746-1828), Spanish painter and printmaker.

Copy of a print by Goya, Boys Playing At Soldiers

Murillo: St Thomas of Villaneuva, Archbishop of Valencia, Giving Alms at the Door of his Cathedral', calotype photograph by Nicolass Henneman, 31 August 1847. Plate 44 in 'Annals of the Artists of Spain', published by Sir William Sterling Maxwell (1818-1878) in 1848. Spanish artist Bartolomé Esteban Murillo (1617-1682).

Murillo: St Thomas of Villaneuva

1847-08-31

Murillo: Holy Family, known as that of the Little Bird (from a lithograph)', calotype photographed by Nicolaas Henneman, 31 August 1847. Print from a trimmed negative. Print 51 in 'Annals of the Artists of Spain', published by Sir William Sterling Maxwell (1818-1878) in 1848. Spanish artist Bartolomé Esteban Murillo (1617-1682).

Murillo: Holy Family

1847-08-31

Juan de Herrera: Palace Front', calotype photograph by Nicolaas Henneman 31 August 1847. Plate 9 in 'Annals of the Artists of Spain', published by Sir William Sterling Maxwell (1818-1878) in 1848. Juan Herrera (1530-1597) was a Spanish architect and mathematician. View of San Lorenzo El Escorial.

Juan de Herrera: Palace Front'

1847-08-31

Positive salt print from a calotype, hypo fixed, 'Heriots Hospital, Edinburgh', possibly by Nicolaas Henneman, 1845. Established in 1628 as George Heriot's Hospital by bequest of the Royal Goldsmith, George Heriot.

Heriot's Hospital, Edinburgh

1845

Francisco de Zurbaran: Franciscan friar at prayer (from a mezzotint engraving), calotype photograph by Nicolaas Henneman, about 1847. Print 38 in 'Annals of the Artists of Spain', published by Sir William Sterling Maxwell (1818-1878) in 1848. Spanish artist Francisco de Zurbaran (1598-1664).

Francisco de Zurbaran: Franciscan friar at prayer (from a mezzotint engraving)

1847

Diego Velasquez: His wife, Juana Pacheco (from a lithograph)', calotype photographed by Nicolaas Henneman 31 August 1847. Print from trimmed negative. Plate 24 in 'Annals of the Artists of Spain', published by Sir William Sterling Maxwell (1818-1878) in 1848. Spainsh painter Diego Rodríguez de Silva y Velázquez (baptised 1599 - 1660) was a leading artist at the court of the Spainsh King Philip IV.

Diego Velasquez: His wife

1847-08-31

Diego Velasquez: Count-Duke of Olivares. (From etchings by Francisco de Goya, 1778)', calotype photographed by Nicolaas Henneman 31 August 1847. Plate 29 in 'Annals of the Artists of Spain', published by Sir William Sterling Maxwell (1818-1878) in 1848. Spainsh painter Diego Rodríguez de Silva y Velázquez (baptised 1599 - 1660) was a leading artist at the court of the Spainsh King Philip IV. Francisco José de Goya y Lucientes (1746-1828), Spanish painter and printmaker.

Diego Velasquez: Count-Duke of Olivares.

1847-08-31

Pedro Orrente: His Portrait (Louvre, from a drawing by M Tessin)', calotype photograph by Nicolaas Henneman, 31 August 1847. Plate 12 in 'Annals of the Artists of Spain', published by Sir William Sterling Maxwell (1818-1878) in 1848.

Pedro Orrente: His Portrait

1847-08-31

Diego Velasquez: The Family of Velasquez (from engraving by Kovatsch)', calotype photographed by Nicolaas Henneman, 31 August 1847. Print 34 in 'Annals of the Artists of Spain', published by Sir William Sterling Maxwell (1818-1878) in 1848. Spainsh painter Diego Rodríguez de Silva y Velázquez (baptised 1599 - 1660) was a leading artist at the court of the Spainsh King Philip IV.

Diego Velasquez: The Family of Velasquez (from engraving by Kovatsch)'

1847-08-31

Calotype copy of a print of boys playing on a see-saw by Goya, photographed by Nicolaas Henneman, about 1845. Francisco José de Goya y Lucientes (1746-1828), Spanish painter and printmaker.

Copy of a print by Goya, Boys Playing on a See-Saw

Juan Martinez Montanes: Santa Teresa de Jesus', calotype photograph by Nicolaas Henneman, 31 August 1847. Plate 14 in 'Annals of the Artists of Spain', published by Sir William Sterling Maxwell (1818-1878) in 1848. Juan Martínez Montañés (1568-1649), known as 'el Dios de la Madera' (the God of Wood).

Juan Martinez Montanes: Santa Teresa de Jesus'

1847-08-31

An early photographic portrait of a man from 1842, possibly by possibly by Nicolaas Henneman. This salt print from a calotype (paper negative) is part of an album of photographic portraits, possibly taken by Nicolaas Henneman

Portrait of a man

1842

Juan de Courbes: Portrait of Mary Queen of Scots (1627)', calotype photograph by Nicolaas Henneman 31 August 1847. Plate 17 in 'Annals of the Artists of Spain', published by Sir William Sterling Maxwell (1818-1878) in 1848. Jean de Courbes (1592–1641) was a French engraver active in Spain.

Juan de Courbes: Portrait of Mary Queen of Scots (1627)'

1847-08-31

Alonso Cano: St Mary Magdalen (from an original drawing by Cano)', calotype photographed by Nicolaas Henneman, 31 August 1841. Print 41 in 'Annals of the Artists of Spain', published by Sir William Sterling Maxwell (1818-1878) in 1848. Alonzo or Alonso Cano (1601-1667) was a Spanish painter, architect and sculptor.

Alonso Cano: St Mary Magdalen (from an original drawing by Cano)'

1847-08-31

Francisco de Goya: An Exploit of Matincho in the Bull-Ring at Zaragosa', calotype photograph by Nicolaas Henneman 31 August 1847. Plate 63 in 'Annals of the Artists of Spain', published by Sir William Sterling Maxwell (1818-1878) in 1848. Francisco José de Goya y Lucientes (1746-1828), Spanish painter and printmaker.

Francisco de Goya: An Exploit of Matincho in the Bull-Ring at Zaragosa'

1847-08-31

Juan Martínez Montañés: Our Lord And St John The Baptist', bas relief, calotype photographed by Nicolaas Henneman, 31 August 1847. Plate 13 in 'Annals of the Artists of Spain', published by Sir William Sterling Maxwell (1818-1878) in 1848. Spainsh sculptor Juan Martínez Montañés (1568-1649), known as 'el Dios de la Madera' (the God of Wood).

Juan Martínez Montañés: Our Lord And St John The Baptist'

1847-08-31

Calotype copy of a print of boys playing at soldiers by Goya, photographed by Nicolaas Henneman, about 1845. Francisco José de Goya y Lucientes (1746-1828), Spanish painter and printmaker.

Copy of a print by Goya, Boys Playing At Soldiers

Diego Velasquez: Isabella of Bourbon, his first Queen', calotype photograph by Nicolaas Henneman, 31 August 1847. Plate 27 in 'Annals of the Artist in Spain'. Spainsh painter Diego Rodríguez de Silva y Velázquez (baptised 1599 - 1660) was a leading artist at the court of the Spainsh King Philip IV.

Diego Velasquez: Isabella of Bourbon

1847-08-31

Diego Velasquez, Portrait of the Infanta Margarita Maria (from a drawing by James R Swinton)', calotype photographed by Nicolaas Henneman, 31 August 1847. Print 32 in 'Annals of the Artists of Spain', published by Sir William Sterling Maxwell (1818-1878) in 1848. Spainsh painter Diego Rodríguez de Silva y Velázquez (baptised 1599 - 1660) was a leading artist at the court of the Spainsh King Philip IV.

Diego Velasquez

1847-08-31

Juan De Yciar: His Portrait (1550)', calotype photographed by Nicolaas Henneman about 1847. Caligrapher Juan de Iciar (c 1523 - died after 1570) or Yciar, also known by the nickname of 'El Vizcaino', is considered to be the first to use printing and engraving techniques in Spain. Plate 2 in 'Annals of the Artists of Spain', published by Sir William Sterling Maxwell (1818-1878) in 1848.

Juan De Yciar: His Portrait (1550)'

A notice to purchasers for, 'Iodised Paper for Making Sun Pictures Prepared by N Henneman, Russell Terrace, Reading (otherwise known as the Reading establishment). Inscribed, signed and dated by Nicolaas Henneman, 1846

By Royal Letters Patent. Iodised Paper for Making Sun Pictures

1846

Juan D'Arphe: His Portrait (1585)', calotype photographed by Nicolaas Henneman about 1847. From a woodcut on the back of the title page of the book 'De Commensuracion para la Esculptura y Architectura' by Juan de Arfe y Villafañe (1535–1603), Spanish engraver, artist and goldsmith. Plate 4 in 'Annals of the Artists of Spain', published by Sir William Sterling Maxwell (1818-1878) in 1848.

Juan D'Arphe: His Portrait (1585)'

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