Ponte Vecchio, Florence; and Temple of Vesta, Rome, (2 calotypes) on one mount. Ponte Vecchio, Florence and Temple of Vesta
Impressions of an engraving and of lace (made by direct contact) and negative and positive photomicrograph on one mount, (calotypes). Impressions Of An Engraving And Of Lace
St. Peter's, Rome; and bridge and castle of St. Angelo, Rome, (2 calotypes) on one mount. St Peter's and Castle of St Angelo, Rome
St. Mary le Strand; and another building, (2 calotypes) on one mount. Views of St Mary-le-Strand and Another Building
Calotypes - Queen's College, Oxford; and another, on one mount of Queens College. Queen's College, Oxford
Calotypes - "All Souls", Langham Place, (negative and positive) on one mount. All Souls, Langham Place
Bound volume with embossed gilt, small early calotype portraits in the main, by Wiliam Henry Fox Talbot. embossed maroon learger binding with gold stamped "Album" on front cover. Pages gilt eded. This item contains material that is very vulnerable to light damage Bound Volume With Embossed Gilt 'Album' on Cover
Collection of large calotype prints, from 1843 onwards, (average size 10" x 8"). Will rapidly deteriorate if handled or exposed to light. Kept in black paper parcel. Collection of Large Calotype Prints 1843-1860
Fox Talbot's photographic printing establishment at Reading (2 calotypes) on one mount. Fox Talbot's Photographic Printing Establishment at Reading
Positive salt print from a calotype negative, hypo fixed, of Windsor Castle, view from across the river, by Talbot, William Henry Fox. Ruled pencil lines. Windsor Castle, View Across The River
Photogenic drawings, three positive salt prints of a single leaf, by William Henry Fox Talbot, about 1843. For negative of same image see 1937-2003. Three photogenic drawings of leaf 1840-1845
Positive salt print from a calotype negative, hypo fixed, of Windsor Castle, the Round Tower, by Talbot, William Henry Fox Talbot, May 1841. Windsor Castle, Round Tower 1841-05
Bound copy of 'Sun Pictures in Scotland', 1845. Printed title with motto from Virgil, page with list of plates and twenty three mounted calotypes. The book was issued to subscribers. The twenty-three images were taken by Talbot on a tour of sites and locations most connected with novelist Sir Walter Scott. The calotypes include images of Edinburgh, Scott's house at Abbotsford, Loch Katrine, Melrose, Doune Castle, Dryburgh Abbey (site of Scott's tomb) etc. Sun Pictures in Scotland 1845
Calotype copy of a print of boys playing on a see-saw by Goya, photographed by Nicolaas Henneman, about 1845. Francisco José de Goya y Lucientes (1746-1828), Spanish painter and printmaker. Copy of a print by Goya, Boys Playing on a See-Saw
Diego Velasquez: Count-Duke of Olivares. (From etchings by Francisco de Goya, 1778)', calotype photographed by Nicolaas Henneman 31 August 1847. Plate 29 in 'Annals of the Artists of Spain', published by Sir William Sterling Maxwell (1818-1878) in 1848. Spainsh painter Diego Rodríguez de Silva y Velázquez (baptised 1599 - 1660) was a leading artist at the court of the Spainsh King Philip IV. Francisco José de Goya y Lucientes (1746-1828), Spanish painter and printmaker. Diego Velasquez: Count-Duke of Olivares. 1847-08-31
Calotype copy of a print of boys playing on a see-saw by Goya, photographed by Nicolaas Henneman, about 1845. Francisco José de Goya y Lucientes (1746-1828), Spanish painter and printmaker. Copy of a print by Goya, Boys Playing on a See-Saw 1844-1846
Diego Velasquez: The Surrender of the Keys of Breda…1625 (From a Lithograph)', calotype photograph by Nicolaas Henneman, 31 August 1847. Plate 30 in 'Annals of the Artists of Spain', published by Sir William Sterling Maxwell (1818-1878) in 1848. Print from a trimmed negative. Spainsh painter Diego Rodríguez de Silva y Velázquez (baptised 1599 - 1660) was a leading artist at the court of the Spainsh King Philip IV. Diego Velasquez: The Surrender of the Keys of Breda…1625 (From a Lithograph)' 1847-08-31
Francisco de Goya: Death of the Alcalde of Torrejon, on the stone seats in the bull-ring at Madrid, (from Goya's 'Trienta y tres estampas…del arte de lidiar los toros')', calotype photographed by Nicolaas Henneman 31 August 1847. Plate 65 in 'Annals of the Artists of Spain', published by Sir William Sterling Maxwell (1818-1878) in 1848. Francisco José de Goya y Lucientes (1746-1828), Spanish painter and printmaker. Francisco de Goya: Death of the Alcalde of Torrejon 1847-08-31
Calotype postiive, copy of 'The Virgin and Child', photographed by Nicolaas Henneman, about 1847. Copy of a print 'The Virgin and Child'
Francisco de Zurbaran: Franciscan friar at prayer (from a mezzotint engraving), calotype photograph by Nicolaas Henneman, about 1847. Print 38 in 'Annals of the Artists of Spain', published by Sir William Sterling Maxwell (1818-1878) in 1848. Spanish artist Francisco de Zurbaran (1598-1664). Francisco de Zurbaran: Franciscan friar at prayer (from a mezzotint engraving) 1847
Juan de Herrera: Palace Front', calotype photograph by Nicolaas Henneman 31 August 1847. Plate 9 in 'Annals of the Artists of Spain', published by Sir William Sterling Maxwell (1818-1878) in 1848. Juan Herrera (1530-1597) was a Spanish architect and mathematician. View of San Lorenzo El Escorial. Juan de Herrera: Palace Front' 1847-08-31
Diego Velasquez, Portrait of the Infanta Margarita Maria (from a drawing by James R Swinton)', calotype photographed by Nicolaas Henneman, 31 August 1847. Print 32 in 'Annals of the Artists of Spain', published by Sir William Sterling Maxwell (1818-1878) in 1848. Spainsh painter Diego Rodríguez de Silva y Velázquez (baptised 1599 - 1660) was a leading artist at the court of the Spainsh King Philip IV. Diego Velasquez 1847-08-31
Alonso Cano: Madonna and child, calotype photograph by Nicolaas Henneman, about 1847. Spanish artist, sculptor and architect (1601-1667). Alonso Cano: Madonna and child 1847
Calotype copy of a print of boys playing on a see-saw by Goya, photographed by Nicolaas Henneman, about 1845. Francisco José de Goya y Lucientes (1746-1828), Spanish painter and printmaker. Copy of a print by Goya, Boys Playing on a See-Saw 1844-1846
Diego Velasquez, Portrait of the Infanta Margarita Maria (from a drawing by James R Swinton)', calotype photographed by Nicolaas Henneman, 31 August 1847. Inscribed '32' in pencil. Print 32 in 'Annals of the Artists of Spain', published by Sir William Sterling Maxwell (1818-1878) in 1848. Spainsh painter Diego Rodríguez de Silva y Velázquez (baptised 1599 - 1660) was a leading artist at the court of the Spainsh King Philip IV. Diego Velasquez 1847-08-31
Wrapper cover for 'Pencil of Nature' Part V, published December 1845. Cover for 'Pencil of Nature' Part V 1845-12
Murillo: St Thomas of Villaneuva, Archbishop of Valencia, Giving Alms at the Door of his Cathedral', calotype photograph by Nicolass Henneman, 31 August 1847. Plate 44 in 'Annals of the Artists of Spain', published by Sir William Sterling Maxwell (1818-1878) in 1848. Spanish artist Bartolomé Esteban Murillo (1617-1682). Murillo: St Thomas of Villaneuva 1847-08-31
The Pavillion Errected by Velasquez on the Isle of Pheasants in the River Bidasoa, for the Meeting of the courts of Spain and France, at the marriage of the Infanta Maria Teresa to Louis XIV, 1660 (1667)' calotype photographed by Nicolaas Henneman, 31 August 1847. Print 35 in 'Annals of the Artists of Spain', published by Sir William Sterling Maxwell (1818-1878) in 1848. Spainsh painter Diego Rodríguez de Silva y Velázquez (baptised 1599 - 1660) was a leading artist at the court of the Spainsh King Philip IV. The Pavillion Errected by Velasquez on the Isle of Pheasants... 1847-08-31
Murillo: St Thomas of Villaneuva, Archbishop of Valencia, Giving Alms at the Door of his Cathedral', calotype photograph by Nicolass Henneman, 31 August 1847. Plate 44 in 'Annals of the Artists of Spain', published by Sir William Sterling Maxwell (1818-1878) in 1848. Spanish artist Bartolomé Esteban Murillo (1617-1682). Murillo: St Thomas of Villaneuva 1847-08-31
Juan Martinez Montanes: Santa Teresa de Jesus', calotype photograph by Nicolaas Henneman, 31 August 1847. Plate 14 in 'Annals of the Artists of Spain', published by Sir William Sterling Maxwell (1818-1878) in 1848. Juan Martínez Montañés (1568-1649), known as 'el Dios de la Madera' (the God of Wood). Juan Martinez Montanes: Santa Teresa de Jesus' 1847-08-31
Pedro Perete: Portrait of Alarcon (1665)', calotype photographed by Nicolaas Henneman 31 August 1847. Inscribed '19' in pencil. Plate 19 in 'Annals of the Artists of Spain', published by Sir William Sterling Maxwell (1818-1878) in 1848. Pedro Perete (died 1639) was a Spanish painter and engraver, son of the Flemish artist Piere Perret (c 1555 - 1625). Pedro Perete: Portrait of Alarcon (1665)' 1847-08-31
Diego Velasquez, Portrait of the Infanta Margarita Maria (from a drawing by James R Swinton)', calotype photographed by Nicolaas Henneman, 31 August 1847. Inscribed '32' in pencil. Print 32 in 'Annals of the Artists of Spain', published by Sir William Sterling Maxwell (1818-1878) in 1848. Spainsh painter Diego Rodríguez de Silva y Velázquez (baptised 1599 - 1660) was a leading artist at the court of the Spainsh King Philip IV. Diego Velasquez 1847-08-31
Juan Martinez Montanes: Santa Teresa de Jesus', calotype photograph by Nicolaas Henneman, 31 August 1847. Plate 14 in 'Annals of the Artists of Spain', published by Sir William Sterling Maxwell (1818-1878) in 1848. Juan Martínez Montañés (1568-1649), known as 'el Dios de la Madera' (the God of Wood). Juan Martinez Montanes: Santa Teresa de Jesus' 1847-08-31
Domenico Theotocopuli, 'El Greco': Portrait of his daughter (from a drawing by William Barclay)' calotype photographed by Nicolaas Henneman 31 August 1847. Domenico Theotocopuli 'El Greco' (1541-1614) Cretan-born artist active in Spain. William Barclay (1797-1859) was a British artist and miniaturist. Plate 10 in 'Annals of the Artists of Spain', published by Sir William Sterling Maxwell (1818-1878) in 1848. Domenico Theotocopuli 1847-08-31
Calotype negative copy of print 'Hagar in the Desert', photographed by William Herny Fox Talbot, March 1844. Hypo fixed. Variant of Plate XXIII from 'The Pencil of Nature'. Hagar in the Desert 1844-03
Diego Velasquez: The Infant Don Balthazar Carlos, Prince of Asturias', calotype photograph by Nicolaas Henneman, 31 August 1847. Plate 28 in 'Annals of the Artists of Spain', published by Sir William Sterling Maxwell (1818-1878) in 1848. Print from a trimmed negative. Spainsh painter Diego Rodríguez de Silva y Velázquez (baptised 1599 - 1660) was a leading artist at the court of the Spainsh King Philip IV. Diego Velasquez: The Infant Don Balthazar Carlos 1847-08-31
Pedro Orrente: His Portrait (Louvre, from a drawing by M Tessin)', calotype photograph by Nicolaas Henneman, 31 August 1847. Plate 12 in 'Annals of the Artists of Spain', published by Sir William Sterling Maxwell (1818-1878) in 1848. Pedro Orrente: His Portrait 1847-08-31
Diego Velasquez: His wife, Juana Pacheco (from a lithograph)', calotype photographed by Nicolaas Henneman 31 August 1847. Print from trimmed negative. Plate 24 in 'Annals of the Artists of Spain', published by Sir William Sterling Maxwell (1818-1878) in 1848. Spainsh painter Diego Rodríguez de Silva y Velázquez (baptised 1599 - 1660) was a leading artist at the court of the Spainsh King Philip IV. Diego Velasquez: His wife 1847-08-31
Volume 3 of photographically illustrated book by John Thomson and the Autotype Company: 'Illustrations of China and its People'. One of four published volumes by Sampson, Low, Marston, Low and Searle, 1873-1874. Volume 3 'Illustrations of China and its People' 1873-1874
Calotype copy of a print 'Las Hilanderas' (The Spinners), by Velasquez, photographed by Nicolaas Henneman 31 August 1847. Spainsh painter Diego Rodríguez de Silva y Velázquez (baptised 1599 - 1660) was a leading artist at the court of the Spainsh King Philip IV. Copy of 'Las Hilanderas' by Velasquez 1847-08-31