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The Reading Establishment Panorama (Right Half)

1845-1847

Bound Volume With Embossed Gilt 'Album' on Cover

Cloud Study

1850-1860

Bust of Patroclus

1841-1845

Diego Velasquez: Portrait of Philip IV'

1847-08-31

Fox Talbot's photographic printing establishment at Reading (2 calotypes) on one mount.

Fox Talbot's Photographic Printing Establishment at Reading

Collection of large calotype prints, from 1843 onwards, (average size 10" x 8"). Will rapidly deteriorate if handled or exposed to light. Kept in black paper parcel.

Collection of Large Calotype Prints

1843-1860

Impressions of an engraving and of lace (made by direct contact) and negative and positive photomicrograph on one mount, (calotypes).

Impressions Of An Engraving And Of Lace

Buildings (2 calotypes) on one mount.

Calotypes

St. Mary le Strand; and another building, (2 calotypes) on one mount.

Views of St Mary-le-Strand and Another Building

Calotypes - Queen's College, Oxford; and another, on one mount of Queens College.

Queen's College, Oxford

Calotypes - Christ Church, Oxford; and another, on one mount.

Christ Church, Oxford

Views of Malta and Naples, (2 calotypes) on one mount.

Views of Malta and Naples

Calotypes - 2 views at Lacock Abbey (showing figures) on one mount.

Two Views at Lacock Abbey

Calotypes - "All Souls", Langham Place, (negative and positive) on one mount.

All Souls, Langham Place

Wrapper cover for 'Pencil of Nature' Part V, published December 1845.

Cover for 'Pencil of Nature' Part V

1845-12

Calotype postiive, copy of 'The Virgin and Child', photographed by Nicolaas Henneman, about 1847.

Copy of a print 'The Virgin and Child'

The Pavillion Errected by Velasquez on the Isle of Pheasants in the River Bidasoa, for the Meeting of the courts of Spain and France, at the marriage of the Infanta Maria Teresa to Louis XIV, 1660 (1667)' calotype photographed by Nicolaas Henneman, 31 August 1847. Print 35 in 'Annals of the Artists of Spain', published by Sir William Sterling Maxwell (1818-1878) in 1848. Spainsh painter Diego Rodríguez de Silva y Velázquez (baptised 1599 - 1660) was a leading artist at the court of the Spainsh King Philip IV.

The Pavillion Errected by Velasquez on the Isle of Pheasants...

1847-08-31

Salt print from Calotype (paper negative) of the left hand side of a two part panorama of, ‘The Reading establishment’, photographed by William Henry Fox Talbot and Nicolaas Henneman in 1846

The Reading Establishment Panorama (Left Half)

1845-1847

Calotype negative copy of print 'Hagar in the Desert', photographed by William Herny Fox Talbot, March 1844. Hypo fixed. Variant of Plate XXIII from 'The Pencil of Nature'.

Hagar in the Desert

1844-03

Calotype, copies of four prints, photographed by William Henry Fox Talbot, 31 August 1847. Plates 28, 42, 52 and 61 in 'Annals of the Artists of Spain', published by Sir William Sterling Maxwell (1818-1878) in 1848.

Copies of four prints from 'Annals of the Artist in Spain'

1847-08-31

Calotype, overpainted in watercolours by Calvert Richard Jones. Undated, c.1846. On the Mote, Naples

On the Mote, Naples

circa 1846

Calotypes - 2 views at Lacock Abbey on one mount.

Two Views at Lacock Abbey

Photogenic drawings, three positive salt prints of a single leaf, by William Henry Fox Talbot, about 1843. For negative of same image see 1937-2003.

Three photogenic drawings of leaf

1840-1845

9 calotype portraits on one mount.

Nine Calotype Portraits on One Mount

Volume 3 of photographically illustrated book by John Thomson and the Autotype Company: 'Illustrations of China and its People'. One of four published volumes by Sampson, Low, Marston, Low and Searle, 1873-1874.

Volume 3 'Illustrations of China and its People'

1873-1874

Calotype negative, copy of 'Church of St Miguel, Guadalajara', photographed by Nicolaas Henneman, 1842. Diminished copy of a print. Pencil 'X' on recto.

Copy of 'Church of St Miguel, Guadalajara'

1847-08-31

Calotype copy of a print of boys playing on a see-saw by Goya, photographed by Nicolaas Henneman, about 1845. Francisco José de Goya y Lucientes (1746-1828), Spanish painter and printmaker.

Copy of a print by Goya, Boys Playing on a See-Saw

1844-1846

Diego Velasquez: The Surrender of the Keys of Breda…1625 (From a Lithograph)', calotype photograph by Nicolaas Henneman, 31 August 1847. Plate 30 in 'Annals of the Artists of Spain', published by Sir William Sterling Maxwell (1818-1878) in 1848. Print from a trimmed negative. Spainsh painter Diego Rodríguez de Silva y Velázquez (baptised 1599 - 1660) was a leading artist at the court of the Spainsh King Philip IV.

Diego Velasquez: The Surrender of the Keys of Breda…1625 (From a Lithograph)'

1847-08-31

Pedro Perete: Portrait of Alarcon (1665)', calotype photographed by Nicolaas Henneman 31 August 1847. Inscribed '19' in pencil. Plate 19 in 'Annals of the Artists of Spain', published by Sir William Sterling Maxwell (1818-1878) in 1848. Pedro Perete (died 1639) was a Spanish painter and engraver, son of the Flemish artist Piere Perret (c 1555 - 1625).

Pedro Perete: Portrait of Alarcon (1665)'

1847-08-31

Positive salt print from a calotype negative, hypo fixed, of Windsor Castle, the Round Tower, by Talbot, William Henry Fox Talbot, May 1841.

Windsor Castle, Round Tower

1841-05

Murillo: St Francis (from an etching by Murillo)', calotype photographed by Nicolaas Henneman 31 August 1847. Printed from trimmed negative. Plate 58 in 'Annals of the Artists of Spain', published by Sir William Sterling Maxwell (1818-1878) in 1848. Spanish artist Bartolomé Esteban Murillo (1617-1682).

Murillo: St Francis (from an etching by Murillo)'

1847-08-31

Calotype copy of a print of boys playing on a see-saw by Goya, photographed by Nicolaas Henneman, about 1845. Francisco José de Goya y Lucientes (1746-1828), Spanish painter and printmaker.

Copy of a print by Goya, Boys Playing on a See-Saw

1844-1846

Calotype postive, copy of a lithographic print of a crowd scene, photographed by William Henry Fox Talbot, May 1844.

Copy of a Lithographic Print of a Crowd Scene

1844-05

Francisco de Goya: Death of the Alcalde of Torrejon, on the stone seats in the bull-ring at Madrid, (from Goya's 'Trienta y tres estampas…del arte de lidiar los toros')', calotype photographed by Nicolaas Henneman 31 August 1847. Plate 65 in 'Annals of the Artists of Spain', published by Sir William Sterling Maxwell (1818-1878) in 1848. Francisco José de Goya y Lucientes (1746-1828), Spanish painter and printmaker.

Francisco de Goya: Death of the Alcalde of Torrejon

1847-08-31

Murillo: St Thomas of Villaneuva, Archbishop of Valencia, Giving Alms at the Door of his Cathedral', calotype photograph by Nicolass Henneman, 31 August 1847. Plate 44 in 'Annals of the Artists of Spain', published by Sir William Sterling Maxwell (1818-1878) in 1848. Spanish artist Bartolomé Esteban Murillo (1617-1682).

Murillo: St Thomas of Villaneuva

1847-08-31

Juan de Herrera: Palace Front', calotype photograph by Nicolaas Henneman 31 August 1847. Trimmed negative. Plate 9 in 'Annals of the Artists of Spain', published by Sir William Sterling Maxwell (1818-1878) in 1848. Juan Herrera (1530-1597) was a Spanish architect and mathematician. View of San Lorenzo El Escorial.

Juan de Herrera: Palace Front'

1847-08-31

Alonso Cano: Madonna and child, calotype photograph by Nicolaas Henneman, about 1847. Spanish artist, sculptor and architect (1601-1667).

Alonso Cano: Madonna and child

1847

Diego Velasquez: The Infant Don Balthazar Carlos, Prince of Asturias', calotype photograph by Nicolaas Henneman, 31 August 1847. Plate 28 in 'Annals of the Artists of Spain', published by Sir William Sterling Maxwell (1818-1878) in 1848. Print from a trimmed negative. Spainsh painter Diego Rodríguez de Silva y Velázquez (baptised 1599 - 1660) was a leading artist at the court of the Spainsh King Philip IV.

Diego Velasquez: The Infant Don Balthazar Carlos

1847-08-31

Diego Velasquez, Portrait of the Infanta Margarita Maria (from a drawing by James R Swinton)', calotype photographed by Nicolaas Henneman, 31 August 1847. Inscribed '32' in pencil. Print 32 in 'Annals of the Artists of Spain', published by Sir William Sterling Maxwell (1818-1878) in 1848. Spainsh painter Diego Rodríguez de Silva y Velázquez (baptised 1599 - 1660) was a leading artist at the court of the Spainsh King Philip IV.

Diego Velasquez

1847-08-31

Diego Velasquez, Portrait of the Infanta Margarita Maria (from a drawing by James R Swinton)', calotype photographed by Nicolaas Henneman, 31 August 1847. Inscribed '32' in pencil. Print 32 in 'Annals of the Artists of Spain', published by Sir William Sterling Maxwell (1818-1878) in 1848. Spainsh painter Diego Rodríguez de Silva y Velázquez (baptised 1599 - 1660) was a leading artist at the court of the Spainsh King Philip IV.

Diego Velasquez

1847-08-31

Luis Tristan: Head Supposed to be his Portrait (from a Drawing by William Barclay)', calotype photograph by Nicolaas Henneman, 31 August 1847. Print from an uncropped negative. Print 11 in 'Annals of the Artists of Spain', published by Sir William Sterling Maxwell (1818-1878) in 1848. Luis Tristán de Escamilla (1586–1624), also known as Luis Rodríguez Tristán, was a Spanish painter.

Luis Tristan: Head Supposed to be his Portrait (from a Drawing by William Barclay)'

1847-08-31

Domenico Theotocopuli, 'El Greco': Portrait of his daughter (from a drawing by William Barclay)' calotype photographed by Nicolaas Henneman 31 August 1847. Domenico Theotocopuli 'El Greco' (1541-1614) Cretan-born artist active in Spain. William Barclay (1797-1859) was a British artist and miniaturist. Plate 10 in 'Annals of the Artists of Spain', published by Sir William Sterling Maxwell (1818-1878) in 1848.

Domenico Theotocopuli

1847-08-31

Calotype copy of a print 'Las Hilanderas' (The Spinners), by Velasquez, photographed by Nicolaas Henneman 31 August 1847. Spainsh painter Diego Rodríguez de Silva y Velázquez (baptised 1599 - 1660) was a leading artist at the court of the Spainsh King Philip IV.

Copy of 'Las Hilanderas' by Velasquez

1847-08-31

Juan Martinez Montanes: Santa Teresa de Jesus', calotype photograph by Nicolaas Henneman, 31 August 1847. Plate 14 in 'Annals of the Artists of Spain', published by Sir William Sterling Maxwell (1818-1878) in 1848. Juan Martínez Montañés (1568-1649), known as 'el Dios de la Madera' (the God of Wood).

Juan Martinez Montanes: Santa Teresa de Jesus'

1847-08-31

Josef de Ribera: Etching of Don Juan of Austria', calotype photographed by Nicolaas Henneman, 31 August 1847. Print 37 in 'Annals of the Artists of Spain', published by Sir William Sterling Maxwell (1818-1878) in 1848. Spanish painter and printmaker José de Ribera (1591-1652), also known as Jusepe de Ribera, Giuseppe Ribera or 'Lo Spagnoletto' (The Little Spaniard).

Josef de Ribera: Etching of Don Juan of Austria'

1847-08-31

Calotype copy of a print of boys playing at soldiers by Goya, photographed by Nicolaas Henneman, about 1845. Francisco José de Goya y Lucientes (1746-1828), Spanish painter and printmaker.

Copy of a print by Goya, Boys Playing At Soldiers

Murillo: St Thomas of Villaneuva, Archbishop of Valencia, Giving Alms at the Door of his Cathedral', calotype photograph by Nicolass Henneman, 31 August 1847. Plate 44 in 'Annals of the Artists of Spain', published by Sir William Sterling Maxwell (1818-1878) in 1848. Spanish artist Bartolomé Esteban Murillo (1617-1682).

Murillo: St Thomas of Villaneuva

1847-08-31

Murillo: Holy Family, known as that of the Little Bird (from a lithograph)', calotype photographed by Nicolaas Henneman, 31 August 1847. Print from a trimmed negative. Print 51 in 'Annals of the Artists of Spain', published by Sir William Sterling Maxwell (1818-1878) in 1848. Spanish artist Bartolomé Esteban Murillo (1617-1682).

Murillo: Holy Family

1847-08-31

Juan de Herrera: Palace Front', calotype photograph by Nicolaas Henneman 31 August 1847. Plate 9 in 'Annals of the Artists of Spain', published by Sir William Sterling Maxwell (1818-1878) in 1848. Juan Herrera (1530-1597) was a Spanish architect and mathematician. View of San Lorenzo El Escorial.

Juan de Herrera: Palace Front'

1847-08-31

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