Black-and-white daguerreotype photograph of still life with furnishings Photographic Technology c.1850
Black-and-white daguerreotype photograph of the Egyptian Court of the Crystal Palace Exhibition at Sydenham in London Photographic Technology c.1850
Daguerreotype view of Rome by Achille Morelli, June 1841. 3 of 13 from a series of 360° panorama of the city from the Capitoline Hill. Daguerreotype of Rome, Panorama from the Capitol tower, June 1841 Photographs 1841
Stereoscopic daguerreotype by Antoine Claudet, c. 1853; Claudet and sons posed with daguerreotype apparatus Stereoscopic daguerreotype by Antoine Claudet Photographs 1853
Daguerreotype view of Rome by Achille Morelli, June 1841. 12 of 13 from a series of 360° panorama of the city from the Capitoline Hill. Daguerreotype of Rome, Panorama from the Capitol tower, June 1841 Photographs 1841
A daguerreotype silhouette of a gentleman, taken by Thomas Chapman Browne of Leicester in about 1850. Silhouette of gentleman. Red Morocco leather case with lift up lid and single latch. Lined with plain red plush. Rectangular mat with domed top. Unbound. Daguerreotype Silhouette of a Gentleman Photographs 1840-1855
Daguerreotype view of Rome by Achille Morelli, June 1841. 9 of 13 from a series of 360° panorama of the city from the Capitoline Hill. Daguerreotype of Rome, Panorama from the Capitol tower, June 1841 Photographs 1841
Daguerreotype view of Rome by Achille Morelli, June 1841. 8 of 13 from a series of 360° panorama of the city from the Capitoline Hill. Daguerreotype of Rome, Panorama from the Capitol tower, June 1841 Photographs 1841
Daguerreotype view of Rome by Achille Morelli, June 1841. 7 of 13 from a series of 360° panorama of the city from the Capitoline Hill. Daguerreotype of Rome, Panorama from the Capitol tower, June 1841 Photographs 1841
Daguerreotype view of Rome by Achille Morelli, June 1841. 4 of 13 from a series of 360° panorama of the city from the Capitoline Hill. Daguerreotype of Rome, Panorama from the Capitol tower, June 1841 Photographs 1841
Daguerreotype view of Rome by Achille Morelli, June 1841. 1 of 13 from a series of 360° panorama of the city from the Capitol tower Daguerreotype of Rome, Panorama from the Capitol tower Photographs 1841
Daguerreotype view of Rome by Achille Morelli, June 1841. 5 of 13 from a series of 360° panorama of the city from the Capitoline Hill. Daguerreotype of Rome, Panorama from the Capitol tower, June 1841 Photographs 1841
Daguerreotype view of Rome by Achille Morelli, June 1841. 10 of 13 from a series of 360° panorama of the city from the Capitoline Hill. Daguerreotype of Rome, Panorama from the Capitol tower, June 1841 Photographs 1841
Daguerreotype view of Rome by Achille Morelli, June 1841. 13 of 13 from a series of 360° panorama of the city from the Capitoline Hill. Daguerreotype of Rome, Panorama from the Capitol tower, June 1841 Photographs 1841
Tinted daguerreotype by Kilburn. Subject: portrait of a gentleman. Tinted daguerreotype by Kilburn Photographs
Daguerreotype view of Rome by Achille Morelli, June 1841. 2 of 13 from a series of 360° panorama of the city from the Capitoline Hill. Daguerreotype of Rome, Panorama from the Capitol tower, June 1841 Photographs 1841
Daguerreotype view of Rome by Achille Morelli, June 1841. 6 of 13 from a series of 360° panorama of the city from the Capitoline Hill. Daguerreotype of Rome, Panorama from the Capitol tower, June 1841 Photographs 1841
Daguerreotype view of Rome by Achille Morelli, June 1841. 11 of 13 from a series of 360° panorama of the city from the Capitoline Hill. Daguerreotype of Rome, Panorama from the Capitol tower, June 1841 Photographs 1841
Daguerreotype portrait of man, taken in around 1855 and mounted in a locket. This is a portrait of Harry Hultz, Grandfather of the donor. The colouring is by Amelia Hultz, his sister. She was a noted Manchester miniature painter. Daguerreotype portrait of man Photographic Technology
Stereoscopic daguerreotype by Antoine Claudet, c. 1853; Mrs. Antoine Claudet, with probably mother or mother-in-law and dog Stereoscopic daguerreotype by Antoine Claudet Photographs 1853
Two small framed daguerreotypes; in wooden frames; very faint impressions, 2 1/4" x 1 3/4" . Two Small Framed Daguerreotypes Photographs
Daguerreotype portrait in wooden frame, of Squire Long of Saxmundham. Attributed to Thomas Thurlow, 1842-1855. Squire Long of Saxmundham Photographs 1842-1855
Three stereoscopic daguerreotypes of the French physicists : Biot, Becquerel and Foucault. Three stereoscopic portrait daguerreotypes of French physicists Photographs
1/6th plate daguerreotype by Kilburn. Subject: portrait of a girl. 1/6th plate daguerreotype by Kilburn Photographs
Tinted daguerreotype by Mayall. Subject: old lady. Tinted daguerreotype by Mayall. Subject: old lady. Photographs
A daguerreotype of an elderly woman wearing a bonnet, set in a brass mount and wooden hanging frame, taken by Richard Beard (1801-1885) in about 1842. Daguerreotype portrait of an elderly woman Photographs 1841-1845
Quarter-plate Daguerreotype portrait, in leather case, of a man with a pipe. Attributed to Thomas Thurlow, c.1842-55. Quarter-plate Daguerreotype portrait Photographs
Daguerreotype portrait in wooden frame, of a gentleman. Attributed to Thomas Thurlow, c.1842-55. Daguerreotype portrait in wooden frame Photographs
Hand-coloured 2" x 2 1/2" plate Daguerreotype portrait, in leather case, of an old lady in a bonnet. Attributed to Thomas Thurlow, c.1842-55. Hand-coloured 2" x 2 1/2" plate Daguerreotype portrait Photographs
Coloured daguerreotype by Claudet in red morocco case; 2 1/4" x 2 3/4" x 1/2" closed "Mr. Claudet 40 Regent St. Quadrant". Subject: portrait of man. Coloured daguerreotype portraity of a man Photographs
Tinted daguerreotype by Claudet. Subject: portrait of woman. Tinted daguerreotype by Claudet Portrait of a Woman Photographs
Daguerreotype view of Rome, Panorama from San Pietro in Montorio. This is one of a series of eight forming a panorama of the city, taken by Lorenzo Suscipi in 1841. This daguerreotype was taken from a viewpoint near the church of San Pietro in Montorio (St Peter's on the Golden Hill) on the Janiculum Hill, one of the Seven Hills of Rome. (4 of 8). Daguerreotype of Rome, Panorama from San Pietro in Montorio, 1841 by Lorenzo Suscipi Photographs 1841
Daguerreotype of Pompeii, Italy, taken by Alexander John Ellis (1818-1890),on 22 April 1841. It is entitled 'Pompeii, Interior of the Temple (called that of Venus) on the west side of the Forum' Ellis made eight daguerreotypes in Pompeii between April 21 and May 12, 1841, also taking daguerreotypes in nearby Paestum at the same time. In 1839, the Daguerreotype, invented by Louis Jacques Mande Daguerre (1787-1851), became the first photographic process to be announced to the public. A highly-polished silver surface on a copper plate was sensitised to light by exposing it to iodine fumes. After exposing the plate in a camera it was developed with mercury vapour. Daguerreotypes are unique images which may appear as a positive or negative depending on how light hits the surface. Between Easter 1840 and the summer of 1841 Alexander Ellis toured Italy, taking daguerreotype panoramas, landscapes and architectural views. In total, Ellis took or acquired 159 daguerreotypes. He intended to publish engravings made from these as a book entitled 'Italy Daguerreotyped', but sadly the project was never realised. Pompeii, Interior of the Temple (called that of Venus) Photographs 1841
Daguerreotype view of Rome, Panorama from San Pietro in Montorio. This is one of a series of eight forming a panorama of the city, taken by Lorenzo Suscipi in 1841. This daguerreotype was taken from a viewpoint near the church of San Pietro in Montorio (St Peter's on the Golden Hill) on the Janiculum Hill, one of the Seven Hills of Rome. Rome, Panorama from San Pietro in Montorio Photographs 1841
Daguerreotype: 6 3/8" x 4 3/4". Subject: lady, full length. Daguerreotype Portrait of Lady Photographs
