Blitz on an London Midland & Scottish Railway Marshalling Yard near Willesden, September 1940 Pictorial Collection (Railway) about 1945
Design for a Dress Chariot carriage (with flap revealing an alternate dress style) orTown chariot carriage (with flap revealing an alternaye design with a front box seat) Art 1840
Painting, oil on canvas, 'Perth Station, Coming South' by George Earl, 1895. Depicts a busy platform with passengers preparing to board a train for London at the close of the shooting season. The scene is set in about 1885, before the station was enlarged. There are crowds of passengers with hunting dogs, including pointers and setters, and among the luggage are grouse, blackcock and stags' antlers. Station porters carry luggage, a boy sells The Scotsman newspaper and passengers bid farewell to their friends and families. There are signs for the Highland and Caledonian Railways, waiting rooms and notices forbidding smoking. Signed and dated by the artist at bottom right. Framed and glazed. Perth Station, Coming South Pictorial Collection (Railway) 1895
Design for a Dress Chariot carriage or a Dormeuse Chariot carriage with and without a rumble seat to rear for Lord de Clifford Art 1835
Painting, oil on canvas, Ready for the Road, Camden shed, by Norman Wilkinson, about 1928. Depicts the London, Midland & Scottish Railway's motive power depot in Camden, north London. At left are two Royal Scot class locomotives. Number 6109 'Royal Engineer' is in steam, with smoke blasting from its chimney, and one of the footplate crew is climbing into the cab amidst a cloud of steam. Another, older engine stands on track near the shed in the background, while a further Royal Scot class locomotive is beneath a water tower at right, with its tender facing the viewer. Two footplate crewmen stand talking in front of number 6109, and another walks near the edge of a turntable, the outline of which is visible at the bottom right of the picture. Signed by the artist at bottom left. Framed and glazed. Original artwork for London Midland & Scottish Railway poster. Ready for the Road, Camden Shed Pictorial Collection (Railway) c1928
Painting, oil on canvas, Victoria Bridge over the River Wear by John Wilson Carmichael, 1838. Depicts the Victoria Viaduct on the Durham Junction Railway, seen from the banks of the River Wear. In the foreground men and women work and talk at the riverside, while a train crosses the viaduct, leaving a trail of white smoke. Caption on the frame reads "Victoria Bridge over the River Wear. Built by John Gibb & Son of Aberdeen for the Durham Junction Railway and completed on 28th June 1838, the day of Queen Victoria's coronation, by John Wilson Carmichael". Framed and glazed, glass. Victoria Bridge over the River Wear Pictorial Collection (Railway) 1838
Painting, oil on canvas, portrait of Robert Stephenson (1803-1859), Mechanical and Civil Engineer, 1850s, painting shows the Britannia Bridge in the background. Unknown artist, after or by John Lucas . Framed and glazed. Oil painting depicting Robert Stephenson Pictorial Collection (Railway) c.1850s
Design for a Dress Chariot (with hammer cloth) or Town Chariot (with flap revealing an alternate design with front box seat) Art 1820
Painting, oil on panel, First Class: The Meeting... and at First Meeting Loved, by Abraham Solomon, 1855. Depicts passengers in a first class railway carriage. A young man in naval uniform leans forward to talk to an elderly gentleman and a young woman, who listen attentively. The gentleman, balding with grey side whiskers, holds a newspaper in his left hand, and is wearing a glove on his right. The woman is wearing a bonnet and hooded shawl, and is sewing. On the seats are blankets, gloves, a parasol and a bunch of red roses. Through the carriage window is a valley with hills and trees. Signed by the artist at bottom right. Framed and glazed. Also known as The Return (First Class). First Class: The Meeting... and at First Meeting Loved Pictorial Collection (Railway) 1855
