Albumen print from wet collodion negative entitled 'Lorina, Edith and Alice Liddel' photographed by Julia Margaret Cameron, August 1872. Signed, titled, dated and inscribed in ink 'From life Fresh Water', with Colnaghi blindstamp on mount. Lorina, Edith and Alice Liddel Photographs 1872-08
Album, ''Lord Tennyson and his Friends'. A series of 25 portraits and frontispiece in Photogravure by W A Smith, from the negatives of Mrs Julia Margaret Cameron & Henry Herschel Hay Cameron. Reminiscences by Anne Thackeray Ritchie with introduction by HHH Cameron'. (Number 330 of a limited edition of 400), 1893, published by T. Fisher Unwin. Album, 'Lord Tennyson and his Friends', 1893 Photographs 1893
A carte de visite portrait of Captain Tristram Charles Sawyer Speedy (Basha Felika) (1808-1881), Dejatch Alamayou, (1861-1879) and Casa, Alamayou's attendant. The original large format albumen print was taken by Julia Margaret Cameron (1815-1879) at Freshwater, Isle of Wight, in 1868. This cabinet print was taken from the original print between 1868 and 1875. Dejatch Alamayou & Basha Felika, King Theodore's Son and Captain Speedy Photographs 1868-1875
Albumen print carte-de-visite mounted on card, by Julia Margaret Cameron, entitled 'Study After the Manner of Francia', ca. 1865. Study After the Manner of Francia Photographs c. 1865
A photographic portrait entitled 'Marie Spartali', taken by Julia Maraget Cameron (1815-1879) in 1868. The eldest daughter of a Greek-born businessman, Marie Spartali (1843-1927) was an artist's model and watercolourist. After studying with the Pre-Raphaelite painter Ford Madox Brown (1821-1893), she exhibited her work at the Royal Academy from 1871. Albumen print. Marie Spartali Photographs 1871
A photographic study entitled 'The Kiss of Peace' of Florence Beatrice Anson (1860-1946) and Mary Ann Hillier (1847-1936), taken by Julia Margaret Cameron in about 1869. This carbon print was made in about 1875 from an original negative taken by Julia Margaret Cameron (1815-1879) in about 1869. Cameron had approximately seventy of her negatives printed as carbon prints by The Autotype Company between 1870 and 1880. Florence was the eldest daughter of Lord Lichfield. Mary Ann Hillier was Cameron's personal maid from 1861 to 1875. The Kiss of Peace Photographs c 1869; (1875)
Albumen print cabinet card, by Julia Margaret Cameron. Portrait of Cameron's son Ewen Hay Cameron, ca. 1871. "From life copy right by Julia Margaret Cameron" printed beneath portrait on front. Ewen Hay Cameron Photographs c. 1871
An albumen print portrait of two women from Ceylon (Sri Lanka), photographed by Julia Margaret Cameron (1815-1879) in about 1877. The women are probably maidservants or plantation workers. Portrait of Two Women Carrying Jars Photographs 1875-1879
A photographic portrait entitled 'Lionel Holland' (1865-1936), taken by Julia Margaret Cameron (1815-1879) in about 1870. Lionel was the grandchld of Sir Henry Holand and the grand nephew of Thomas Macaulay. Albumen print. Lionel Holland Photographs c 1870
Albumen print by Julia Margaret Cameron, head of woman, Ceylon. Albumen portrait of a young woman from Ceylon, photographed by Julia Margaret Cameron in about 1877. The woman wears a white shawl. She is probably a plantation worker (estate 'coolie') employed on the Camerons' coffee plantation. Young Woman, Ceylon, about 1877 Photographs 1872-1879
A photographic study of Mary Ann Hillier (1847-1936) and Percy Seymour Keown (born 1864) entitled 'La Madonna Reposata - Resting In Hope', taken by Julia Margaret Cameron (1815-1879) in 1864. Albumen print. La Madonna Reposata - Resting In Hope Photographs 1864
Collodion print mounted on album page, by Julia Margaret Cameron, titled "Freshwater Bay", dated 1871. Image of Julia Margaret Cameron's house in the Isle of Wight. Inscriptions witten in pencil on verso, including title and date, and address for Mrs Juliana Hill Cotton, 47 Dainton Rd, Oxford. Freshwater Bay Photographs 1871
Albumen print cabinet card, by Julia Margaret Cameron, titled "The Guardian Angel". Portrait of Hatty Campbell, 1868. "From life copy right Julia Margaret Cameron" printed on front below image. The Guardian Angel Photographs 1868
Collodion print mounted on album page, by Julia Margaret Cameron. Lionel Tennyson in the character of Marquis de St. Cast. Inscription in ink on front reads: "From life taken by Julia Margaret Cameron not enlarged 1868". Lionel Tennyson in the character of Marquis de St. Cast Photographs April 1869
Albumen print cabinet card, by Julia Margaret Cameron, titled "The Village Pet". Portrait of Elizabeth Keown, 1870. "From life copy right Julia Margaret Cameron" printed on front below image. The Village Pet Photographs 1870
Photograph entitled 'Goodness' taken by Julia Margaret Cameron, 1864. A photographic study of Mary Ann Hillier (1847-1936) and Alice Jessie Keown (born 1861). Albumen print or possible carbon print. Goodness Photographs 1864
Photographic portrait entitled 'The Angel at the Tomb (Miss Phillpot)' taken by Julia Margaret Cameron. Autotype print. The Angel at the Tomb (Miss Phillpot) Photographs
A photographic study entitled 'May - Study No 167' of Mary Emily 'May' Prinsep (1853-1931), taken by Julia Margaret Cameron (1815-1879) in October, 1870. In 1874, May Prinsep married Andrew Hichens (1833-1906), a prominent stockbroker. After his death she married Hallam Tennyson (1852-1928), the eldest son of Alfred Tennyson (1809-1892). Albumen print. May - Study No 167 Photographs 1870-10
A photographic portrait entitled 'Violet, of Annie Chinery Cameron (born about 1851), taken by Julia Margaret Cameron (1815-1879) in about 1869. Annie Chinery married Ewen Wrottesley Hay Cameron, Cameron's son, in 1869. Albumen print. Violet Photographs c 1869
Collodion print mounted on album page, by Julia Margaret Cameron. Portrait of Lionel and Henry Holland, 1868-1872. My Ewen's Bride of the 18th of November 1869 Photographs 18 November 1869
Albumen print cabinet card, by Julia Margaret Cameron. Portrait of Cameron's son Ewen Hay Cameron, 1869. "From life copy right by Julia Margaret Cameron" printed beneath portrait on front. Ewen Hay Cameron Photographs 1869
Carte de visite photograph by Julia Margaret Cameron. Portrait of banker and antiquary Daniel Gurney (1791-1880), March 1868. Daniel Gurney Photographs 1868-03
Portrait of Sir John Herschel, by Julia Margaret Cameron, 1865. Carbon print, 9" x 12" (framed). Portrait of Sir John Herschel Photographs 1865
Carved wooden cover of the 'Herschel Album'. Handwritten dedication by Julia Margaret Cameron on reverse of cover, 'To / Sir John F H Hershel / from his Friend / Julia Margaret Cameron / With a grateful / memory of 27 years / of friendship / Fresh Water Bay / Isle of Wight / Nov 26th 1864 / Sept 8th 1867 / completed & ... with renewed / devotedness of grateful friendship'. The album was created by Julia Margaret Cameron (1815-1879) in 1864. She presented it to her friend Sir John Herschel (1792-1871). Some prints were added at a later date. The 'Herschel Album' consists of 94 albumen photographs, with a full contents list of titles. Most prints have a title and date handwritten by Cameron. She produced approximately a dozen bound albums which she presented as gifts to her friends and sisters. Carved Wooden Cover to 'The Herschel Album' Photographs 1864-1867
Albumen print cabinet card by Julia Margaret Cameron. Portrait of Marie Spartali as Hypatia, 1868. "From life copy right Julia Margaret Cameron" printed on front below image. Hypatia Photographs 1868
Photograph entitled 'Little May du Maurier' taken by Julia Margaret Cameron, 1874. A photographic portrait of Marie Louise ' May' Du Maurier (1868-1934), taken by Julia Margaret Cameron (1815-1879) in 1874. One of the five children of George (1834-1896) and Emma Du Maurier, May was sketched many times by her father and was the original of Marty in his novel 'The Martian' (1897). Albumen print. Little May du Maurier Photographs 1874
Albumen print carte-de-visite by Julia Margaret Cameron. Portrait of British Pre-Raphaelite painter Marie Spartali, 1868. Marie Spartali Photographs 1868
